Review: A Prentender's Murder by Christopher Huang

Synopsis: The year is 1925. A labyrinth of roads and rails spirals out from the bones of a nearly forgotten settlement. Londinium. Once the far-flung edge of the vast Roman Empire, it is now the seat of a greater one.

Few have given more for the Empire than Colonel Hadrian Russell. Robbed of his four sons by the Great War, he now holds court as the acting president of the Britannia, a prestigious soldiers-only club in London. But when the Colonel is shot and thrown out the club’s front window, it seems the shadows of the Great War may extend further than previously thought.

Lieutenant Eric Peterkin, newly installed secretary at the Britannia, finds himself thrust into the role of detective after Scotland Yard points fingers at friends he knows are innocent. But is the true murderer an unknown spy? Or a recently resurfaced friend of the Colonel’s dead sons? Or is it one of the Colonel’s four widowed daughters-in-law, who by all appearances paid him complete devotion?

Accusations from personal betrayal to wartime espionage mount among the suspects as Eric's investigation draws him back to scenes and sites of a war he’s sought to leave behind. From the greening fields of Flanders and the springtime streets of Paris to the sterile wards of a Swiss sanatorium, and back to the Britannia itself, Eric finds that even myths leave behind bones.

~ ~ ~

Having read the first in the series - A Gentleman's Murder - I was eagerly awaiting the second, so was glad of an opportunity to finally read this.

This second book, follows on from the first - and there are a number of references made throughout this one so I do suggest reading "A Genteman's Murder" first. 

Set in the years immediately following WWI, the scene is again set in the Britannia Club, a club for returned soldiers only in London, where we find Peterkin is now Secretary. Against a backdrop of post traumatic stress and the horrors of the Great War", social change, identity and the emancipation of women, murder is once again committed within these hallowed walls.

Returning from Hong Kong and now seconded to Scotland Yard, Inspector Benedict Crane investigates - whilst Peterkin himself conducts his own postmortem of events and interviews those close to the victim, many of who are hiding their own secrets.

As an exploration into the effects of war on those who survived and returned, this is very empathically done - in addition to taking into account the impact of those who remained at the home front and suffered trauma and loss of a different kind.

The mystery of who and why the Colonel was killed was well-crafted, with witnesses and suspects alike coming under the scrutiny of both Peterkin and the Inspector - with both gaining a little more than their counterpart based on the interpersonal relationships. Peterkin is aided in his investigation by his sister Penny and best friend Avery, with a host of other characters providing their perspective (at times I found myself questioning their relevance).

But the past has a way of rearing its head, old secrets long forgotten or buried are coming to the fore ... but at what cost?

"... you do not want to be so lost in the past that you lose your present ..."

Where this lost me a little bit was the need to go "off site" - that is to France and Switzerland" where answers were not forthcoming - and to me this was really was merely an unnecessary diversion for the reader. In addition, in order to portray the societal changes and struggles, I felt the narrative went on a bit too long as there are a number of different elements to be explored before all are brought together.

All in all, another decent novel from Huang.

Review: Miss Winter In The Library With A Knife by Martin Edwards

Synopsis: Six down-on-their-luck people with links to the world of crime writing have been invited to play a game this Christmas by the mysterious Midwinter Trust. The challenge seems simple but ......

Solve the murder of a fictional crime writer in a remote but wonderfully atmospheric village in north Yorkshire to win a prize that will change your fortunes for good.

Six members of staff from the shadowy Trust are there to make sure everyone plays fair. The contestants have been meticulously vetted but you can never be too careful. And with the village about to be cut off by a snow storm, everyone needs to be extra vigilant. Midwinter can play tricks on people's minds…

The game is set – but playing fair isn't on everyone's Christmas list.

~ ~ ~

"... the skill lies in diverting attention from what really matters, seducing the players with red herrings ..."

The narrative is in the form of journals, letters, tourist-like pamphlets, maps, floor-plans where the challenge to solve the mystery is between both reader and characters. If the reader is stuck, Martin provides a "clue finder" at the back of the book. It will remind some readers of the classic interactive crime books and of more recent versions such as "Cluedle" or "Murdle".

For me, this really needs to be visual - I think you need to see how things play out - a bit like the movie "Clue". I wasn't really a fan of this one nor its set up. The story line was great, the characters fine, the setting suitable, but ... I don't know ... the delivery just wasn't there for me. I felt like I needed to be watching rather than reading, if that makes sense.

Give it a go as Martin is the supreme classic crime novelist - and his curated anthologies are exceptional.

Review: The Return of Moriarty by Jack Anderson

Synopsis: After Professor Moriarty survives Reichenbach Falls and Sherlock Holmes dies, Moriarty finds himself caught up in a locked-room mystery Holmes couldn’t solve.  This time, it’s up to Moriarty to crack the mystery, perfect for fans of Sherlock Holmes ingenious retellings like the ones by Anthony Horowitz and Laurie R. King.

Upon escaping from Reichenbach Falls, his empire in ruins, criminal mastermind James Moriarty takes the identity of wealthy inventor Hugo Strahm and embarks on a dark pilgrimage to the cliffside manor of Schloss Alber in Bavaria.

When medical student Clara Mendel returns to Schloss Alber, she finds her childhood home on the verge of ruin. A deadly feud over a priceless heirloom has thrown the Alber family into chaos while its walls play host to an unusual cast of characters – the obstinate Lord Alber, his strange and beleaguered children, their cantankerous butler, and of course, their mysterious new guest, "Hugo Strahm." When one of them is poisoned at dinner, it’s the first act in a spiraling criminal conspiracy, in which any and all of them are suspects.

Working with the sharp and inquisitive Clara, the former crime lord attempts to solve the mystery whilst trying to keep his true identity concealed. Yet despite taking on the role of detective, Moriarty does not share Sherlock Holmes’s methods, nor his interest in justice. Only one thing is certain, for James Moriarty, dying at the hands of Sherlock Holmes would have been an elegant end… The question of what comes next is far more complicated.

This cleverly plotted mystery is a faithful and inventive take on the Sherlock Holmes legacy, paying homage to Arthur Conan Doyle’s signature style while adding its own devious tricks to the story that is destined to become a must-read classic for Sherlock Holmes fans.

~ ~ ~

As a huge fan of Conan Doyle's Holmes and Moriarty, I was eager to read this new mystery featuring Moriarty himself. And for the first part, I was intrigued and engaged as a series of journal entries and letters reveal that Moriarty did indeed survive after Reichenbach Falls in 1891 - these narratives explain this quite well, with each new narrator picking up where the previous one left off.

It is not until we meet our final main narrator in Clara Mendel and we reach our destination of Schloss Alber, that for me, events stagnate - characters become passe and even Moriarty himself is a bit wishy-washy. The actual mystery, was rather formulaic - just set in a different geographical location and timeline.

Whilst the use of a number of difference narratives does - at first - maintain a certain continuity, they actually begin to distract and detract from the mystery itself, bogging down the narrative to the point that I found myself wondering if the author was ever going to get to the point.

I was not a fan of this rendition of Moriarty, which was most likely one of the main reasons that this story just did not resonate - I would hardly describe it as a homage to Conan Doyle's own style nor being faithful to the Holmes legacy. One for the Holmes corpus ... I think not.

Review: The Art of a Lie by Laura Shepherd-Robinson

Synopsis: Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.

Only William Devereux seems different. A friend of her late husband, Devereux helps Hannah unravel some of the mysteries surrounding his death. He also tells her about an Italian delicacy called iced cream, an innovation she is convinced will transform the fortunes of her shop. But their friendship opens Hannah to speculation and gossip and draws Henry Fielding’s attention her way, locking her into a battle of wits more devastating than anything she can imagine.

~ ~ ~

Set in Georgian England, against the ice cream craze, this historical fiction mystery provides for two narrators - the widow Hannah Cole, and the friend of her late husband, William Devereux.

The alternating narrative allows the reader to witness events from these two viewpoints, as Hannah's husband's shady dealings are revealed, bringing her to the attention of local magistrate Henry Fielding. What the reader will have to decide is which of these two are Hannah's enemy, or something darker at work.

Whilst well researched to bring 18th century Georgian England to life, I found my attention wavering and my interest in both the characters, the narrative and the mystery itself dwindling as the pages passed by. 

This period of historical fiction is out of my usual reading comfort zone, but that really was not the reason for my lack of engagement as I am open to new settings, both geographically and time-wise. Can't specifically put my finger on it, but it just wasn't enough for me. I am sure others will feel differently and devour with this eagerness.

The Queens and Royal Women of Sweden c. 970–1330

Synopsis: This is the first major piece of scholarship to provide an overview of the lives of Sweden’s earliest documented queens, together with some of their most influential female relatives, who lived between 970 and 1330.

Spanning a period over 350 years, approximately 40 biographies are included from the semi-legendary Viking queen Sigrid Storråda to Duchess Ingeborg of Norway, the first female de jure and de facto ruler of Sweden. 

Rather than merely summarising previous research, this study offers new perspectives on the evolution of queenship in medieval Sweden. It tracks the different religious, political, and socio-economic trends which defined and shaped the office of queen and identifies three main phases of development which led to royal women’s economic and political emancipation by the mid-fourteenth century. 

The study’s main strength lies in its close reading and novel interpretation of the surviving primary sources, enabling readers to understand the importance of these women and wider themes such as state formation, Christianisation, and international politics.

The Queens and Royal Women of Sweden, c. 970–1330 is of interest to scholars of queenship and gender studies, medieval historians in general, those with an interest in ecclesiastical history, and anyone studying medieval Scandinavia.

Review: Sisters In Death by Eli Frankel

Synopsis: Who killed the Black Dahlia? In this eye-opening shocker, an award-winning producer, true-crime researcher, and Hollywood insider finally solves the greatest - and most gruesome - murder mystery of the twentieth century just before its 80th anniversary.

In January 1947, the bisected body of Elizabeth Short, completely drained of blood, was discovered in an undeveloped lot in Los Angeles. Its gruesome mutilations led to a firestorm of publicity, city-wide panic, and an unprecedented number of investigative paths led by the LAPD—all dead ends. The Black Dahlia murder remained an unsolved mystery for over seventy years.

Six years earlier and sixteen hundred miles away, another woman’s life had ended in a similarly horrific manner. Leila Welsh was an ambitious, educated, popular, and socially connected beauty. Though raised modestly on a prairie farm, she was heiress to her Kansas City family’s status and wealth. On a winter morning in 1941, Leila’s butchered body was found in her bedroom bearing unspeakable trauma.

One victim faded into obscurity. The other became notorious. Both had in common a killer whose sadistic mind was a labyrinth of dark secrets.

Eli Frankel reveals for the first time a key fact about the Black Dahlia crime scene, never before shared with the public, that leads inexorably to the stunning identification of a criminal who was at the same time amateurish and fiendish, skilled and lucky, sophisticated and brutish. Drawing on newly discovered documents, law enforcement files, interviews with the last surviving participants, the victims’ own letters, trial transcripts, military records, and more, this epic true-crime saga puts together the missing pieces of a legendary puzzle.

In Sisters in Death, the Black Dahlia cold case is finally closed.

~ ~ ~

The mystery of the Black Dahlia has intrigued many - including myself - for some time. Who really was Elizabeth Short, what was she doing in the days / weeks leading up to her death, and why was she murdered is such a brutal manner.

Frankel explores initially the murder of Liz / Beth / Betty Short in 1947 from what is popularly known and reported on. Elizabeth is the proverbial riddle wrapped up in a mystery inside an enigma. Then we move onto what Frankel perceives to be a similar murder - possibly the trial run to Elizabeth Short - that being the brutal murder of heiress Leila Welsh in 1941.

Frankel outlines the history and life of Welsh, including the love triangle she found herself in whilst a socialite at university. Then the detail of the murder, investigation, and trial - where the main suspect was her own brother! At this particular time, there was constant conflict between investigating parties, and rampant violence and corruption in the police force and judicial system was commonplace. A fair trial for Leila's brother was not on the cards - a quick and easy solution was, and as a result, the family endured more than then should.

We are then drawn back to Elizabeth Short - a more detailed look at her life in Hollywood, her associations, and a re-look at not only her final days, but of an investigation that had been tainted from the very start so that the real perpetrator literally got away with murder.

Frankel directs the reader to similarities in both cases: the bungled investigations, the return of the murderer to the scene of the crime to leave clues, witnesses and suspects discounted too easily, whilst providing information as to where, when and with whom the lives of these two women intersected. Frankel links one particular suspect to both crimes - a person of interest who warranted further investigation but wasn't. It is an intriguing proposition - and Frankel posits a plausible case for his suspect.

True crime fans will sink their teeth into this one - I did!

Review: Evil In High Places by Rory Clements

Synopsis: The closer you get, the further you have to fall.

Munich, 1936. All eyes are on the Bavarian capital for the upcoming Olympic games. As athletes fight for gold and the Nazis fight for power, Detective Sebastian Wolff faces a battle of his own.

A famous actress has disappeared and Wolff has been ordered to find her, fast. But Elena Lang is no ordinary film-star: she is the mistress of Joseph Goebbels - Hitler's right-hand-man in the party that Wolff despises.

But corruption runs deep in Munich and Elena is just the first to go missing. In a search that will take him from high society to the city's darkest corners, Wolff is about to learn just how easily the hunter becomes the hunted: this is a city on the brink of war, and some enemies are better left alone.

~ ~ ~

Who do you trust when a stray word or action could mean a death sentence.

This is the second in a series, the first book being "Munich Wolf", which I do recommend reading before this one as it will give the reader move of an anchor for this second book. Both books are set in 1930s Germany, when the Third Reich was in the ascendant, war was not yet a reality, and the Olympic Games would be used by Hitler as an opportunity to promote his government and ideals of racial supremacy.

Into this cauldron of conspiracy, suspicion, corruption, paranoia, elitism and racism, is a solid police procedural wherein our main character, Sebastian Wolff is at odds with the party line, and his Sergeant, Hans Winter, has a secret that could end not only his career but his life.

Both men are sent to investigate the disappearance of film star Leila Lang, and are required to conduct their investigation without treading on the toes of the German aristocratic elite and the dreaded SS. Against this, the reader is confronted by the treatment and persecution of Jews, the support given to Hitler from elements of the British aristocracy, and the growing control over all levels of society that was beginning to be more forcefully exerted and enforced.

The narrative is full of " .. twists and turns as tight as the winding bend up to Schloss Stark ...".

This is a compelling work and one I would liken to by that of author Douglas Jackson, whose books are set in late 1930s Warsaw.

Review: What's Mine Is Yours by Leah Mercer

Synopsis: She invited her into her home. She shouldn’t have…

Emily: It’s been a long time since my best friend Ava stopped speaking to me. But I knew I’d find a way back in. When I hear that her daughter won’t sleep at home because of a burglary on the street, I offer to swap houses for a while. Ava is so grateful. And now I’m staying in her family home, I finally understand why she’s been avoiding me… Ava isn’t as perfect as she makes out. She’s been hiding a big secret that could ruin her idyllic life. Only now, I know all about it…

Ava: I didn’t want to let Emily back into my life, but my daughter begged me to agree to the swap. I’ll do anything for my precious girl. As I lie in Emily’s bed in her cramped apartment, I fear what she’s up to inside my home. Has she looked through my belongings? Has she found the key to the locked room in my basement? And does she know the truth about what I did?

Two friends. Two secrets. Which one is telling a deadly lie, and which is in danger?

~ ~ ~

Two women - initially friends but drifted apart, are brought back together by tragedy and decide to house swap. One is keen - one is reluctant - but both women have secrets they have no wish for the other to discover, especially now that they have swapped residences!

Quick easy chapters with flowing first person narratives that quickly build the intensity of the drama until dark secrets linking them all are finally laid bare, out in the open. The reader is left wondering just how will these revelations impact the women and their families, and will it propel one or the other into actions with unforgiving consequences.

Loved every page as I sat highly engrossed trying to discover the secrets of Ava and Emily before they were ultimately revealed to the reader.

Review: The Revenge Plot by Jackie Kabler

Synopsis: When Ella Leonard arrives at work one Monday morning, she’s stunned.  The place isn’t just shut – it’s gone. Boarded up, closed down.

Days later, she gets home to find she’s been evicted from her flat, her belongings piled on the doorstep. It’s as if, bit by bit, someone is taking her entire life away from her.

Who, and why? And how much worse can it get? The answer? A lot worse.   This is just the beginning…

~ ~ ~

We all know that revenge is a dish best served cold, on fine bone china - but this tale takes the cake!

We are introduced to Ella Leonard front and centre - she is our first ... victim. Why is someone targeting Ella in such a despicable way, what has she done to merit such unwelcome attention. As Ella's life unravels, no clue is yet to be given.

Enter Harriet, an old friend of Ella's, who steps in to assist Ella in getting back on her feet. But as the narrative draws onward, we are left wondering if Harriet herself is all she seems. Harriet has a secret .. or two ... which are revealed to the reader, and here we learn of Nisha - nemesis and tormentor of Harriet.

The lives of these three women have intertwined over many years, and it is not until they begin to converge in the present, that the secrets and reasons behind their acts of revenge become clear.  The pace certainly picks up from this point.

The short sharp chapters of first person narrative keep the reader immersed - but we are left asking ourselves, who do we cheer for when all three consider themselves victims and all are just as unlikable as their past and present lives are linked. Everything comes full circle, but we are left wondering at what cost - who ultimately gains from their revenge - and who is left with nothing. The conclusion is a little convoluted but in the overall scheme of things, why not!