Synopsis: September, 1592. “Kit, I know we have never been friends, but you are the only man in London to whom I can write. Someone is trying to kill me”.
Christopher Marlowe had never liked Robert Greene when he was alive. But when the former Cambridge scholar is found dead in a cheap London boarding house, shortly after sending Kit a desperate letter, Marlowe feels duty bound to find out who killed him – and why.
What secrets did Robert Greene take with him to the grave? And why is the Queen’s spymaster, Sir Robert Cecil, taking such a keen interest in the case? As plague stalks the streets of London and the stage manager of the Rose Theatre disappears without trace just days before the opening of Marlowe’s new play, the playwright-sleuth finds himself in the midst of a baffling murder investigation – where nothing is as it first appears.
Another outing in Elizabethan England has Kit Marlowe investigating the death of Robert Greene, one of the first professional writers of the day, and a contemporary of both Marlowe and Shaxsper - the man who referred to the Bard of Avond as an "upstart crow".
Kit receives a message from Greene, no friend of our Kit, asking Marlowe to come to his aid - instead Greene is found dead in mysterious circumstances. In reality, around this time, Greene wrote exposés on the Elizabethan underworld, such as "A Notable Discovery of Coosnage" (1591) and the successful and amusing "A disputation betweene a hee conny-catcher and a shee conny-catcher" (1592).
Against this we have the appearance of the magus Simon Foreman, currently favourite of Elizabeth I, sidelining Dr John Dee, and the disappearance of steadfast Tom Sledd. But London is not only being stalked by a killer but also the Plague, resulting in a closure of the theatres, leaving Kit ample time to investigate.
Marlowe is as witty and irascible as ever; all the usual suspects are present; and red herrings abound.
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