The striking plot of one of Agatha Christie’s best-known mysteries, The Murder of Roger Ackroyd, surprises each new generation of readers. But now there is a further twist in the tale. Fresh evidence suggests Christie may have taken the idea from an acclaimed Norwegian author.
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Christie’s book, published in 1926, swiftly established itself as a classic of the genre. And in the 94 years since, her fans and publishers have been careful to guard the identity of the killer.
For Moffatt, a Christie fan, the power of Riverton’s book lies in its sinister handling of the environment, which mirrors the killer’s disturbed state of mind. “It is more of a study of madness,” she said, “It uses the landscape as metaphor, while Christie sticks to a smaller canvas.”
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