Review: The Flames by Sophie Haydock

Synopsis: Set in the extravagant, Bohemian art world of early 20th century Vienna, the electrifying untold story of the four women who posed for and inspired the groundbreaking erotic art of controversial painter Egon Schiele.

Amid an opulent society living under the shadow of war are four muses, women whose bodies were shown in intimate detail, depicted by the charming yet controversial artist Egon Schiele. Adele, his passionate and fierce admirer; Gertrude, his sister who survived their blighted childhood but is possessive, single-minded, and jealous; his mistress Vally, a poor young woman from a bad background but with steel at her core; and the two, very different, Harms sisters, Edith and Adele, both of whom vie to become Schiele’s wife.

Over the course of little more than a decade, the four women risk everything—their reputations, their most precious relationships, and their sanity and souls—as they try to hold on to the man they adore. As World War I throws their lives off course forever, and the Spanish influenza pandemic ravages Europe, threatening everyone in its path, one question remains: Will any of them emerge unscathed from their relationship with this man? Sophie Haydock’s The Flames reimagines the intertwining lives of these women: four wild, blazing hearts longing to be known. In an elegant Bohemian city like 1900s Vienna, everything seems possible. But just as a flame has the power to mesmerize, it can also destroy.

~ ~ ~

If it was the author's intent to bring this women to the fore to show how they influenced a debauched, narcissistic and misogynistic philanderer, then this really does not do it. All the women come off as similar - love becomes obsession before being callously discarded and abandoned for another woman. I felt no connection with any of them as they appear very one dimensional, and Egon Schielle himself I found repulsive in his depraved pursuit of very young women (girls even).

I did finish the book however, hoping to find some redeeming features, but left not really feeling it.

Court of Richard II and Bohemian Culture by Alfred Thomas

Bohemian culture exercised an important influence on the court of King Richard II, but it has been somewhat overlooked, with previous scholarship on its writers and artists generally confined to the role played by the French court of King Charles V and the Italian city states of Milan and Florence. 

This book aims to fill that gap. It argues that Richard's marriage to Anne of Bohemia, daughter of the Holy Roman Emperor Charles IV, one of the greatest rulers and patrons of the age, exposed England to the full extent of this international court culture. 

Ricardian writers, including Chaucer, Gower and the Gawain-poet, wrote in their native language not because they felt "English" in the modern national sense but because they aspired to be part of a burgeoning vernacular European culture stretching from Paris to Prague and from Brabant to Brandenburg; thus, one of the major periods of English literature can only be properly understood in relation to this larger European context.

The Correspondence of Elizabeth Stuart, Queen of Bohemia - Nadine Akkerman

The Correspondence of Elizabeth Stuart is the first complete edition of the letters of Elizabeth Stuart (1596-1662), Electress Palatine of the Rhine and Queen of Bohemia, daughter of King James I of England and Anna of Denmark.

Volume I covers Elizabeth's life as princess and consort in the years between 1603 and 1631. It includes letters exchanged with her brother, Henry Frederick, the courtship letters of Frederick V, Elector Palatine, and Elizabeth's experiences of both marital and court life in Heidelberg, especially her struggle with Germanic culture and her arguments with both her husband and mother-in-law over rights of precedence. From 1619 her letters become increasingly political as she begs her father, the Duke of Buckingham, and others for assistance in the desperate struggle for the Crown of Bohemia. Deposed in 1620, Elizabeth spends her time in exile devising ploys to gain further financial, moral, and military support from statesmen and military leaders such as Sir Dudley Carleton, the 'Mad Halberstadter' Christian of Brunswick, Count Ernest of Mansfeld, King Christian IV of Denmark, and Bethlen Gabor, Prince of Transylvania, behaviour increasingly in defiance of her father's wishes and demands.

Elizabeth's letters evidence her slow transformation from political ingenue to independent stateswoman, a position cemented as her husband fell victim to the war they had precipitated. The diplomatic writing skills she developed in this period were to become her only weapon for securing both the inheritance of her many children and her own position as a key religious, political, and cultural figure in early-modern Europe.