Showing posts with label 6th century. Show all posts
Showing posts with label 6th century. Show all posts

Thursday, January 1, 2026

Review: Fortune's Child by James Conroyd Martin

Synopsis: Theodora: actress, prostitute, mistress, feminist. And Byzantine Empress of the civilized world.

Stephen: handsome Syrian boy, wizard's apprentice, palace eunuch. And Secretary to the Empress.  How does this unlikely pair become such allies that one day Empress Theodora asks Stephen to write her biography?

From a very young age, Theodora, daughter of a circus bearkeeper in Constantinople, sets her sights well above her station in life. Her exquisite beauty sets her apart on stages and in the eyes of men.

Stephen, a Syrian lad of striking good looks, is sold by his parents to a Persian wizard, who teaches him a skill in languages that will serve him well.

By the time Destiny brings them together in Antioch, Theodora has undergone heart-rending trials and a transformation, while Stephen has been sold again . . . and castrated.

Discover the enduring bond that, however imperfect, prompts Theodora—as Empress—to request palace eunuch Stephen to write her biography.

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Book One in the story of Empress Theodora by James Conroyd Martin. And one funnily enough that I thought that I had read before as I was familiar with both set-up and narrative style.

Anyway, this is a wonderful retelling of Theodora's life up to the point that she became Empress. We have the narrative of Theodora telling her story to her biographer and friend,the eunuch Stephen, whom she had only recently released for a 5 year stint in prison. As Stephen reflects upon his release "... scruples can be elusive when freedom is the prize ...." - and so he accepted the commission.

Palace politics and the fate of women in general are seen through Theodora's eyes as well as Stephen's - both found a connection due to the lives they led or had forced upon them.  Both strove for something more - and their drive to succeed is a common trait.

Stephen's story is told in the first person narrative, whilst Theodora's is told in the third person. Both individual stories converge in Antioch and the journey to Constantinople - then two become one.

As historical fiction goes, this is rather good. It is well researched, whilst not being subjected to a dry history lesson. Both Stephen and Theodora elicit empathy from the reader, whilst all the while the reader cannot but hope that Theodora achieves her goals.

Looking forward to reading book two.

Monday, October 27, 2025

Review: Ravenna by Judith Herrin

Synopsis: In 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy.


In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.

While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

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I picked this one as: (1) I have Herrin's "Byzantium" which I enjoyed; and (2) for the inclusion of Galla Placidia and the Visigoth Kingdom, and the succeeding Ostrogoth and Lombard Kingdoms.

The period covered off was one of turmoil - political and religious, of conspiracy and machinations, internal and external power struggles, creation and destruction of empires. It was a period I was familiar with - and Herrin's tome is more on the academic side of things rather than a travel guide for the uninitiated. The city prospered after the fall of Rome, and this is evident in the church building program undertaken in the early 6th century and the city's position as a key power base for the Byzantine Empire.

For me, Herrin's book provided me with what I was specifically looking for - for others, a more general history may be in order.


Note: read in 2020 / review posted 2025

Sunday, March 27, 2022

Review: The Dark Queens by Shelley Puhak

Synopsis: The remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule.

Brunhild was a Spanish princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet—in the 6th-century Merovingian Empire, where women were excluded from noble succession and royal politics was a blood sport—these two iron-willed strategists reigned over vast realms for decades, changing the face of Europe.

The two queens commanded armies and negotiated with kings and popes. They formed coalitions and broke them, mothered children and lost them. They fought a years-long civil war—against each other. With ingenuity and skill, they battled to stay alive in the game of statecraft, and in the process laid the foundations of what would one day be Charlemagne’s empire. Yet after Brunhild and Fredegund’s deaths—one gentle, the other horrific—their stories were rewritten, their names consigned to slander and legend.

In The Dark Queens, award-winning writer Shelley Puhak sets the record straight. She resurrects two very real women in all their complexity, painting a richly detailed portrait of an unfamiliar time and striking at the roots of some of our culture’s stubbornest myths about female power. The Dark Queens offers proof that the relationships between women can transform the world.



Merovingian France may not have been on everyone's radar but it had been on mine for quite a number of years - and I had written about both on a old webpage I created back in the late 1990s (now archived for posterity). And in particular, the incredible and oft times deadly rivalry between two women who managed to wield more power than their contemporaries.

So when the opportunity to read Puhak's book, I jumped at the chance. Puhak describes her main aim as being the resurrection of two women "scratched out of history" - much like two earlier notable women - Hatshepsut of the 18th Dynasty in Ancient Egypt and Wu Zhao of 7th Century Tang Dynasty of China.

Firstly we have Brunhilde/a, Queen and wife of Sigebert, King of Austrasia. A women of pedigree who - like her sister before her - was destined for a marriage of political consequence.  And then secondly we have Fredegund/a, a slave-girl at the court of Neustria, who in this capacity came to the attention of Chilperic I, and who clawed her way to becoming his third wife - a position she had no intention of relinquishing.

Merovingian Kingdom
The rivalry between not only these two women but also by the sons of Clothar I King of the Franks, upon the disintegration of his kingdom, would resonate through the generations to come, resulting in the death knell for the dynasty which came barely two centuries later.

Puhak gives the reader a history of the region and social structure, the dynasty, the family, as well as court politics and religion, before finishing with the legacy and fate of the two queens and their offspring.

Both women suffered the same fate in the end - to either be written out of the history books or the have their reputations so besmirched as to become the epitome of the fallen Eve or Jezebel reincarnate. And the fate of Brunhilde would not rear its ugly head under the Tudor Dynasty, when Henry VIII dispatched the aged Duchess of Salisbury in 1541.

Puhak brings all of her research together to provide the reader with an accessible account of the Merovingian period under these two women. Ample notes and sources will be much appreciated by those seeking to further enrich their own knowledge of the dynasty.

Sunday, November 24, 2019

Review: Far Away Bird by Douglas A Burton

48381373Synopsis: Inspired by true events, Far Away Bird delves into the complex mind of Byzantine Empress Theodora. This intimate account deftly follows her rise from actress-prostitute in Constantinople's red-light district to the throne of the Byzantine Empire. Her salacious past has left historians blushing and uncomfortable. Tales of her shamelessness have survived for centuries, and yet her accomplishments as an empress are unparalleled. Before there was a legendary empress, there was a conflicted young woman from the lower classes. And her name was Theodora


Burton seduces the reader as Theodora seduces all around her. This is a powerful, evocative narrative, that draws you into the human rather than mythical aspect of the "notorious" Theodora from her early childhood to her return to Constantinople. It is as though Burton is channeling his subject as her life dances across the pages before you, the reader. You are drawn into her life as if walking side by side, her contemporary, her ethereal other self - her far away bird.


More on Theodora

Sunday, September 8, 2019

The Fall of the Roman Empire by Peter Heather

Cover for 

The Fall of the Roman Empire






The death of the Roman Empire is one of the perennial mysteries of world history. Now, in this groundbreaking book, Peter Heather proposes a stunning new solution: Centuries of imperialism turned the neighbors Rome called barbarians into an enemy capable of dismantling an Empire that had dominated their lives for so long.

A leading authority on the late Roman Empire and on the barbarians, Heather relates the extraordinary story of how Europe's barbarians, transformed by centuries of contact with Rome on every possible level, eventually pulled the empire apart. He shows first how the Huns overturned the existing strategic balance of power on Rome's European frontiers, to force the Goths and others to seek refuge inside the Empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. 

The Goths first destroyed a Roman army at the battle of Hadrianople in 378, and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain, before conquering North Africa, the breadbasket of the Western Empire, in 439. We then meet Attila the Hun, whose reign of terror swept from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse, culminating in the Vandals' defeat of the massive Byzantine Armada: the west's last chance for survival.

Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians.

Sunday, October 8, 2017

Imaging Reveals Medieval Manuscript Hidden in Book Binding


In the mid-16th century, a bookbinder picked up a piece of parchment — one that was already centuries old — and used it to bind a book of poetry. This parchment's text remained unreadable for nearly 500 years, but now, thanks to state-of-the-art imaging techniques, people can read its words once more, according to a new study.

An analysis of the sixth-century text revealed that it was part of the Roman law code. Whoever made the poetry book likely considered the text to be outdated, as at that point, society was using the church's code, rather than Roman laws, the researchers said.

read more here @ Live Science