Twitter: @JohnSawney
Sunday, January 19, 2014
The Ruin - A Word From The Author
Twitter: @JohnSawney
Saturday, January 4, 2014
Review - The Ruin

For more about Vortigern visit: Vortigern Studies
For more on the author visit: John Sawney
Friday, January 3, 2014
January 2014 Arrivals
- Women in Russian History - From the Tenth to the Twentieth Century by: Natalia Pushkareva, ed. & trans. by Eve Levin
- Civilization of the Renaissance in Italy by Jacob Burckhardt, trans by: S.G.C. Middlemore
- Chronicles by Jean Froissart
- Two Lives of Charlemagne by Einhard, and Notker the Stammerer
- Vendetta: High Art and Low Cunning at the Birth of the Renaissance by Hugh Bicheno
- Blood Sisters: The Women Behind the Wars of the Roses by Sarah Gristwood
- The Crusader States by Malcolm Barber
- Power and Border Lordship in Medieval France: The County of the Perche, 1000-1226 (Royal Historical Society Studies in History New) by Kathleen Thompson
- The Life and Times of Geoffroi IV De Rancon Seigneur De Taillebourg, Gencay and Rancon by Roger Fisher
- The Song of the Norman Conquest: A New Translation of the Earliest Account of the Norman Conquest (by Kathleen Tyson
- Egil's Saga - trans. by Hermann Palsson and Paul Edwwards
- The Thirty Nine Steps by John Buchan (love the movie of this)
- Historical Detectives edited by Mike Ashley (nice collective of historical fiction detectives)
- Complete Plays of Christopher Marlowe - nice little 1947 hardback edition
Wednesday, January 1, 2014
Fore-Edge Painting On Books
Guess what: your copy of the Canterbury Tales may actually be more exciting than you think (sorry, Mr. Chaucer). It’s very possible that your battered, old copy of the book contains some fore-edge painting, which is an illustration or painting that is hidden on the edge of the pages of the book. The technique allegedly dates back to the 1650s and we have no idea why people went through the trouble of painting on their old works of literature, but thanks to Colossal, now we know they are there.
Thursday, December 26, 2013
Review: Granada Gold
Granada Gold is based on the true story of young Juana Trastamara. During the Granada War, she befriends Lord Edmund Sales, commander of the English longbow archers fighting for Christian Spain. In 1492, Juana’s parents – Queen Isabel and King Fernando – defeat the Moors, expel the Jews, and send Columbus sailing across the Atlantic. Juana’s arranged marriage to the womanising Habsburg duke, ‘Phillipe the Handsome’, is a personal disaster. Trapped in an increasingly abusive marriage, Juana has only one place to turn: England. Through Lord Sales, Juana meets Tudor King Henry VII, who falls deeply in love with her. The stage is set for international royal passion, betrayal, and death.
Juana the Mad: Sovereignty and Dynasty in Renaissance Europe By Bethany Aram
Juana of Castile: History and Myth of the Mad Queen edited by María A. Gómez
That Other Juana: Queen Juana I of Spain (Juana la Loca) by Linda Carlino
The Last Queen by CW Gortner
Sunday, December 15, 2013
History Extra - Book Reviews

December Additions To The Library
Dive into the macabre history of England and Old Europe in this treasure chest of historical punishments. In the pages of Medieval Punishments are punishments from a less enlightened period, creating a thoroughly researched historical document that sheds light on the evolution of society and how humans have maintained social order and addressed crime. Sunday, December 1, 2013
Review: Six Million Accusers - The Capture of Adolf Eichmann
Again, another fascinating book by author David Lawrence-Young. This time we are taken through the events that led up to the capture and trial of Adolf Eichmann, one of the leading SS Officers behind The Holocaust.
In the years after World War II, Eichmann, whose name had come up numerous times during the Nuremberg Trials, had become one of the most wanted Nazi war criminals. Unfortunately, for many years, no one knew where in the world Eichmann was hiding. Then, in 1957, the Mossad (the Israeli secret service) received a tip: Eichmann may be living in Buenos Aires, Argentina.
After several years of unsuccessful searches, Mossad received another tip: Eichmann was most likely living under the name of Ricardo Klement. This time, a team of secret Mossad agents was sent to Argentina to find Eichmann. On March 21, 1960, the agents had not only found Klement, they were certain he was the Eichmann they had been hunting for years.On May 11, 1960, the Mossad agents captured Eichmann while he was walking from a bus stop to his home. They then took Eichmann to a secret location until they were able to smuggle him out of Argentina nine days later.
Once in a while some great man becomes the symbol of the era in which he lived. Less often one man becomes the symbol of a quality of his era — of its good or evil, its reason or madness. Such a man is Adolf Eichmann, the Nazi, a symbol of the hatred and unspeakable hideousness of Hitler’s Germany.
- From History Today: Richard Cavendish describes how Adolf Eichmann was captured in Argentina on May 11th, 1960.
- From CNN: Mossad's hunt for the other Adolf: Spy agency's search for Eichmann revealed
- From Spiegel Online: The Long Road to Eichmann's Arrest: A Nazi War Criminal's Life in Argentina
- From The Guardian: Adolf Eichmann's capture, as told by the Mossad, in Israel exhibition
- From the Jewish Virtual Library: The Capture of Nazi Criminal Adolf Eichmann
Stehanie Dray - Daughters of the Nile
From critically acclaimed historical fantasy author, Stephanie Dray comes the long-awaited new tale based on the true story of Cleopatra's daughter.
After years of abuse as the emperor’s captive in Rome, Cleopatra Selene has found a safe harbor. No longer the pitiful orphaned daughter of the despised Egyptian Whore, the twenty year old is now the most powerful queen in the empire, ruling over the kingdom of Mauretania—an exotic land of enchanting possibility where she intends to revive her dynasty. With her husband, King Juba II and the magic of Isis that is her birthright, Selene brings prosperity and peace to a kingdom thirsty for both. But when Augustus Caesar jealously demands that Selene’s children be given over to him to be fostered in Rome, she’s drawn back into the web of imperial plots and intrigues that she vowed to leave behind. Determined and resourceful, Selene must shield her loved ones from the emperor’s wrath, all while vying with ruthless rivals like King Herod. Can she find a way to overcome the threat to her marriage, her kingdom, her family, and her faith? Or will she be the last of her line?
Read the Reviews
"A stirring story of a proud, beautiful, intelligent woman whom a 21st century reader can empathize with. Dray's crisp, lush prose brings Selene and her world to life." ~RT Book Reviews
"The boldest, and most brilliant story arc Dray has penned..." ~Modge Podge Reviews
"If you love historical fiction and magical realism, these books are for you." ~A Bookish Affair
Read an Excerpt
Below me, six black Egyptian cobras dance on their tails, swaying. I watch their scaled hoods spread wide like the uraeus on the crown of Egypt. Even from this height, I'm paralyzed by the sight of the asps, their forked tongues flickering out between deadly fangs. I don't notice that I'm gripping the balustrade until my knuckles have gone white, all my effort concentrated upon not swooning and falling to my death. And I would swoon if I were not so filled with rage. Someone has arranged for this. Someone who knows what haunts me. Someone who wants to send me a message and make this occasion a moment of dread. My husband, the king must know it, for he calls down, "That's enough. We've seen enough of the snake charmer!" There is commotion below, some upset at having displeased us. Then Chryssa hisses, "Who could think it a good idea to honor the daughter of Cleopatra by coaxing asps from baskets of figs?" The story the world tells of my mother's suicide is that she cheated the emperor of his conquest by plunging her hand into a basket where a venomous serpent lay in wait. A legend only, some say, for the serpent was never found. But I was there. I brought her that basket. She was the one bitten but the poison lingers in my blood to this day. I can still remember the scent of figs in my nostrils, lush and sweet. The dark god Anubis was embroidered into the woven reeds of the basket, the weight of death heavy in my arms. I can still see my mother reach her hand into that basket, surrendering her life so that her children might go on without her. And I have gone on without her. I have survived too much to be terrorized by the emperor's agents or whoever else is responsible for this. If it is a message, a warning from my enemies, I have already allowed them too much of a victory by showing any reaction at all. So I adopt as serene a mask as possible. My daughter blinks her big blue eyes, seeing past my facade. "Are you frightened, Mother? They cannot bite us from there. The snakes are very far away." I get my legs under me, bitterness on my tongue. "Oh, but they're never far enough away."###
Available now in print and e-book!
Amazon | Barnes & Noble | iTunes | Kobo | Powells | IndieBound | Goodreads
Available now in print and e-book!
Amazon | Barnes & Noble | iTunes | Kobo | Powells | IndieBound | Goodreads
STEPHANIE DRAY is a bestselling, multi-published, award-winning author of historical women’s fiction and fantasy set in the ancient world. Her critically acclaimed historical series about Cleopatra’s daughter has been translated into more than six different languages, was nominated for a RITA Award and won the Golden Leaf. Her focus on Ptolemaic Egypt and Augustan Age Rome has given her a unique perspective on the consequences of Egypt's ancient clash with Rome, both in terms of the still-extant tensions between East and West as well as the worldwide decline of female-oriented religion. Before she wrote novels, Stephanie was a lawyer, a game designer, and a teacher. Now she uses the transformative power of magic realism to illuminate the stories of women in history and inspire the young women of today. She remains fascinated by all things Roman or Egyptian and has-to the consternation of her devoted husband-collected a house full of cats and ancient artifacts.



