Monday, October 6, 2025

Review: Cromwell's Spy by Dennis Sewell

Synopsis: A vivid biography of the elusive George Downing, a Puritan from colonial Massachusetts who became Oliver Cromwell's chief spy and a key figure in the Restoration.Downing Street is synonymous with political power, perhaps only second to Pennsylvania Avenue. But for the builder behind one of the world's most famous streets—George Downing—it was a mere retirement project.

Throughout his storied life, Downing would be a soldier, a politician, a diplomat, and a spy. He came of age as a pioneer in colonial Massachusetts, graduated from Harvard, crossed the Atlantic to sign up for the English Civil War and fast became Oliver Cromwell’s chief of military intelligence. He was one of a close group of now-forgotten Americans in Cromwell’s circle who exerted enormous influence upon English political life during their Civil War.

Throughout his life, Downing was always at the center of events, engaging with the most illustrious men and women of his times. His uncle was the governor of Massachusetts; his cousin the governor of Connecticut. In England, his patrons were Oliver Cromwell and King Charles II. The famous diarist, Samuel Pepys, was his clerk; the great poet, John Milton, prepared his letters and dispatches. William of Orange was godfather to his son; his next-door neighbor was Queen Elizabeth of Bohemia; and when Downing finally built his street, his surveyor was Sir Christopher Wren, architect of St Paul’s Cathedral.

He would leave his mark on American soil as well. He played a key role in the founding of New York by helping to wrest Manhattan and Long Island from the Dutch. Yet he remains one of the most elusive figures of his age. In Dennis Sewell's rich and vivid Cromwell's Spymaster, Downing emerges as the extraordinary, enigmatic, and endlessly fascinating anti-hero of his own life story.

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After finishing this biography by Dennis Sewell, I still felt as if Downing was as elusive as ever, and I fear much of his "intelligence" work has gone and will continue to go undiscovered. It is his reputation - as a spy, a diplomat, a turncoat, a raconteur, an double agent - that has  foreshadowed all else.  But I feel that I have learned more about this man than I previously had, and have come to an understanding of his character and career.

George Downing was a man who was socially and politically connected to people - on both sides of the Atlantic - who mattered. He was politically active, initially as a preacher, before learning the art of deception and ambiguity from Oliver Cromwell himself. Downing was no fool - he was adroit, astute, with his own network of spies and agents, and was often referred to as both "an intelligencer and seducer" (c.1650).

His early political career was in Scotland however he took no part in the trial or execution of King Charles I of England, despite being on Cromwell's staff. He became increasingly concerned with foreign affairs and national security, finding himself as Ambassador in the Netherlands, where he was said to be "... burgling, bribing and blackmailing his way across the Low Countries..." which were a hot-bed of Royalist activity and home to a number of significant members of the royal house of Stuart.

His reputation was far from clean - he was an active participant in the trafficking of war prisoners to the Americas and nor was he above a little appropriation of the property of Royalists for himself. In the political vacuum that followed the death of Cromwell, Downing used his connections to intercede with the new King, Charles II. He was forgiven his misdemeanors, rewarded and even took on the role of hunter of the regicides.

Downing did well for himself in the US colonies - mercantilism became his new religion; and whilst he may have lost royal support due to abandoning his post during war, he was an active (and wealthy) parliamentarian.

As mentioned, it would be Downing's reputation - as a morally heinous, hypocritical scoundrel and turncoat - that would outlive his achievements. However, it should be remembered that Downing really was no better nor worse than his contemporaries and his actions should be judged only in light of the events and mores of his time - not ours!

Having finding myself reading more about the Interregnum under Cromwell and the hunt for the regicides of Charles I, this biography by Sewell landed at a most appropriate time. 

I would highly recommend indulging in this biography of an elusive and contradictory character, which does much to restore some of the dignity and acknowledge the sheer strength of political survivalism of this intriguing man.

Review: Tokyo Zodiac Murders by Soji Shimada

Synopsis: Astrologer, fortuneteller, and self-styled detective Kiyoshi Mitarai must in one week solve a mystery that has baffled Japan for 40 years. Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, the supreme woman? 

With maps, charts, and other illustrations, this story of magic and illusion, pieced together like a great stage tragedy, challenges the reader to unravel the mystery before the final curtain. The Tokyo Zodiac Murders joins a new wave of Japanese murder mysteries being translated into English.

~ ~ ~

It is 1979, and amateur detectives and friends Kazumi Ishioka and Kiyoshi Mitarai, investigate a baffling series of murders that was said to have occurred some forty years prior. Going back through events and documentary evidence, these two slowly piece together the mystery before the actual denouement is made by a surprising narrator.

A little bit long-winded for my liking but an intriguing and puzzling mystery none-the-less, and one that will keep the sharpest minds engaged.


Review: Murder in Constantinople by AE Goldin

Synopsis: A gripping, immersive historical murder mystery in which a wayward boy from London's East End is pulled into the hunt for a serial killer on the eve of the Crimean War.

London, 1854. Twenty-one-year-old Ben Canaan attracts trouble wherever he goes. His father wants him to be a good Jewish son, working for the family business on Whitechapel Road, but Ben and his friends, the 'Good-for-Nothings', just want adventure.

Then the discovery of an enigmatic letter and a photograph of a beautiful woman offer an escapade more dangerous than anything he'd imagined. Suddenly Ben is thrown into a mystery that takes him all the way to Constantinople, the jewel of an empire and the centre of a world on the brink of war.

His only clue is three 'The White Death'. Now he must find what links a string of grisly murders, following a trail through kingmaking and conspiracy, poison and high politics, bloodshed and betrayal. In a city of deadly secrets, no one is safe - and one wrong step could cost Ben his life.

~ ~ ~

"Murder in Constantinople" reads like a boys-own-adventure. There are political machinations, espionage, murder, secret societies, travel, war, criminal detection, and a naive hero blundering into situations beyond his abilities.

And if you suspend belief and accept it as such, you will find an enjoyable romp through 19th century Constantinople at the time of the Crimean War - where politics and high society meld, where "everyone from high to low has secrets, all tied together in an invisible web", where conspiracies abound, and a serial killer is on the loose. Can our young runaway find his feet whilst avoid being the target of a secret group of assassins .... only time will tell.!


The first in a new series, the scene setting begins here and once it gets going, the action follows.

Review: A Danger to the Minds of Young Girls by Adam Morgan

Synopsis: The definitive biography of overlooked queer icon Margaret C. Anderson, whose fight to publish James Joyce’s Ulysses led to her arrest and trial for obscenity. Perfect for fans of The Editor and The Book-Makers.

Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson’s cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns like T.S. Eliot, Ezra Pound, William Butler Yeats, and Djuna Barnes. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early 20th century Americans dismayed by its salacious writing and advocacy for supposed extremism like women’s suffrage, access to birth control, and LBGTQ rights.

But then it went too far. In 1921, Anderson found herself on trial and labeled “a danger to the minds of young girls” by a government seeking to shut her down. Guilty of having serialized James Joyce’s masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization.

Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar today while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and a movement misunderstood in their time, this biography highlights a feminist counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.

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It is a decent rather than definitive biography of a woman, who happened to be a lesbian, who ran her own publishing company, who employ other women, and who took on the "established" publishing world by serialising Joyce's "Ulyssses" much to the chagrin of the New York Society for the Suppression of Vice. It would be for this alone, that Margaret would be demonised and arrested for obscenity - resulting in her standing trial in 1921 with co-publisher, Jane Heap.

Morgan's book takes us through Margaret's earlier life - childhood, her self-emancipation from her parents, her work in non-traditional roles, including reviewing books, before establishing her own publishing company - and all the trials and errors associated with each decision and action. 

Then the obscenity trial is covered - rather too briefly for my liking - before we travel with Margaret out of the USA and onto Continental Europe where her life is a little sketchy at best. Powering through the 1930s in rather jumbled narrative - quite possibly due to the number of people introduced and the required explanations as to their associations / connections  - we jump to the final years of Margaret's life.

For a woman at the forefront of a major publishing controversy, I felt this fell a little flat. Whether this was due to a lack of sources or access to sources, I cannot tell but I was looking for slightly more than a wikipedia entry, especially with regards to the trial component.  

Look, overall, it is a great introduction to a woman whose lasting legacy was the promotion of "serious literature" in an era and to a society marked by conservative moral and literary tastes.

Review: Desolation by Keith Moray

Synopsis: The Black Rood of Scotland, stolen. A coroner of York, murdered. An evil worse than plague itself, at large…

1361, York. As the country recovers from the war with France, and whispers that the pestilence has returned to England grow louder, fear is in the heart of every nobleman and commoner alike. Sir Ralph de Mandeville, ex-solider and newly appointed Justice of the Peace is sent to Langbarugh, just outside York, to investigate the murder of Coroner Sir Boderick de Whitby.

More deaths quickly follow, and while these are swiftly dealt with as plague victims, Sir Ralph and his two assistants Merek and Peter soon uncover something altogether more horrifying… A greater evil is at large in the northern wapentakes.

As panic escalates and the lines between plague and murder blur, Sir Ralph is thrust into a desperate race against time. Every shadow hides a potential killer, every cough could be a death knell. Can he unmask a murderer lurking in the terrifying shadow of the Black Death before they’re all consumed by a terror more sinister than any plague?

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This series is set during the reign of King Edward III of England when the country was at war with France - the Hundred Years War.  The Black Death - or Plague - made its return - it would claim at least 20% of the population.  The Justices of the Peace Act was introduced, which created a new national role for justices of the peace (JPs) who were responsible for enforcing labor laws enacted in response to the economic changes caused by the Black Death.

The first in a new series wherein a number of local deaths is set firmly at the door of the plague - afterall, who in their right mind would look too closely at the putrefying corpse of a plague victim. However, it is the murder of a coroner and the theft of one of Scotland's most revered relics, that sets Ralph de Mandeville and his assistants on the trail of something more sinister.

There are many themes tackled in this tome - law and order, religion and superstition, necromancy and alchemy, doomsday preachers, murder, spite, and local jealousies and history.

Moray writes in an engaging manner, which slowly draws the reader in, setting the scene before our trio arrive to begin their investigations. A gentle history lesson to ensure the reader has a grasp of events and social customs of the period, is woven into the narrative - it is a subject not unknown to this author.  

Looking forward to the next installment in this new series.

Review: Feast for the Ravens by Sarah Hawkswood

Synopsis: Worcestershire, September 1145. A Templar knight is found dead in the Forest of Wyre, clutching a bloodstained document naming a traitor. Undersheriff Hugh Bradecote, Serjeant Catchpoll, and Underserjeant Walkelin must uncover whether the killing was personal, political, or the work of outlaws. They are surprised to find that the locals believe the killer to be the Raven Woman, a mythical shape-shifter said to haunt the woods. Then the knight is identified as Ivo de Mitton, who fled the shire many years ago, presumed guilty of the foul murder of his kin.

As the trio dig through legend and lies, they must determine the truth and bring a cunning killer to justice.

~ ~ ~

This is book thirteen in the Bradecote and Catchpoll series, again, with the setting for this latest in firmly during the time of The Anarchy, and the city of Worcestor in 1145.

Bradecote, Undersherrif of Worcester, along with his serjeant, Catchpoll and underserjeant, Walkelin, are sent to investigate the murder of a Knight Templar, amid rumour and susperstition that he was killed by the Raven Women - "hrafm wif".

The murder has its roots in the past - and our trio must untangle these in order to solve the mystery set firmly in their present. Hawkswood again brings the themes of legend and logic, past and present, norman and saxon, into the narrative to deftly weave an entrancing narrative - or rather ".. knots within knots within knots ...".

Highly recommend starting at the beginning of the series as this will provide a much easier introduction into the characters, the setting, the history, though there is enough within this tome to let the reader get the feel for what has transpired before if they are jumping straight into this one.

See my review of book seven: Wolf at the Door

Review: A Sociopath's Guide to a Successful Marriage by MK Oliver

Synopsis: A whip-smart and darkly funny crime novel—perfect for fans of My Sister, the Serial Killer and The Maid—that follows a wife and mother with a deadly secret that she must suppress if she wants to maintain her picture-perfect façade.

Meet Lalla Rook. Lalla has a lot on her plate: She needs to guarantee her husband makes partner, secure her dream house in Hampstead, and get her daughter into a prestigious prep school. And on the afternoon she stabs a stranger seven times after he breaks into her living room, she has a four-year-old’s birthday party to host.

With an unambitious partner, two demanding children, and a barely adequate large house in a nice (if not quite fashionable) part of town, Lalla’s life isn’t quite perfect yet. And she can’t pretend she hasn’t missed the adrenaline rush that comes with transgressing. Besides, as a wife and mother, she’s already an expert multi-tasker. So, disposing of a body, framing a friend, and being the world’s best mother can easily be managed alongside the usual domestic minutiae.

It’s just that her husband Stephen seems distracted, her daughter’s drowning of the class hamster is affecting her academic future, and then there is the unexpected intruder. Who is this man and what does he want from her? Because Lalla has a past she’d rather keep hidden—and the sudden appearance of the police means that avoiding them will be yet another task to cross off her to-do list.

Funny, calculating, hyper-competent, and ambitious, Lalla is your next favorite anti-heroine. Just don’t mention it to her mother-in-law.

~ ~ ~

This is a great fun read with a protagonist who will stop at nothing to maintain the perfect facade of her life and the ensure the pathway to her future life poses no obstacles.

You cannot but help like Lalla - afterall, if we are honest, we all have a little of the sociopath in us. Author Oliver provides the reader with a quirky and irreverant look at life in suburbia - at bit like "Desperate Housewives" meets "Housewives Of ...." meets "Stepford Wives". The short snappy chapters keep the narrative flowing like a well-oiled machine. And love the "to do" lists at the end of each chapter. 

This tome does not take itself too seriously - and neither should the reader. Lalla aspires to what we all want in life - happy family, comfortable lifestyle, good friends, good job with promotion, good schools for the kids - she just has a slightly different way of achieving it - and being the sociopath that she is, will let nothing get in her way and stop her from getting it - not family, not friends, and certainly not a little murder or two or three!.

As Lalla muses ... "... the past will come back to haunt you if you don't smother it with a pillow ..." - and her most assuredly does! Will she let that get in the way of her ambitions - certainly not! Though at times we do worry that she may not have the full control over events that she thinks she has ..... but this is Lalla, our narrator, our BFF, our anti-heroine. Of course she will triumph!


Oh, and to those "reviewers" who didn't like the book because it "... was down to a male author putting on a female narrative voice... " - get over yourselves you nufties!  Are you implying men are not ever permitted to write female characters - and vice versa. If so, where would we be without some of the great literary pieces we have today. I would take their reviews with a pinch of salt or better yet, ignore completely.

Review: Murder at the Black Cat Cafe by Seishi Yokomizo

Synopsis:
Tokyo, 1947. The Pink Labyrinth is one of the bomb-scarred city's most shady neighbourhoods. There, in the dead of night a patrolling policeman catches a young Buddhist monk digging in the back yard of The Black Cat Cafe, a notorious brothel. In the shallow grave at his feet lie the dead body of a woman, her face disfigured beyond recognition, and the corpse of a black cat.

Who is the murdered woman, and how was she connected to the infamous establishment? And where did the dead cat come from, given that the cafe's feline mascot seems to be alive and well? The brilliant sleuth Kosuke Kindaichi investigates, but as he draws closer to the truth, he finds himself in grave danger...

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Murder at the Black Cat Cafe is a short story with an additional short story, Why Did the Well Wheel Creak?, included.

Kosuke Kindaichi, plays a prominent role in the first story - set in urban Tokyo - but has a almost secondary role in the subsequent mystery - set in familiar territory of rural Japan - appearing towards the end for the denouement.

Both stories feature a similar theme of mistaken or assumed identity, family drama, murder, greed, jealousy and rivalry, revenge, love and lust. The first is a "straight" Yokomizo mystery with Kindaichi investigating and the "author" retelling the tale after receiving a series of documents from him. The second is set out through a series of letters written by a sister to her brother, recounting daily events (and her suspicions) whilst he convalesces in a sanatorium.

Both are engaging mysteries, however, I found myself drawn more to the second one possibly as each letter comes with a greater sense or urgency or impending danger, building up the intensity of the narration.

Review: The Man Who Died Seven Times by Yasuhiko Nishizawa

Synopsis: A subversively cozy Japanese murder mystery with an ingenious Groundhog Day twist: a teenager’s time-loop race to solve—and possibly prevent—his grandfather’s murder!

Contemporary Japanese legend Yasuhiko Nishizawa makes his English-language debut with this slick, funny murder mystery which adds a sci-fi twist to an age-old setup: a murder in a wealthy family with an inheritance at stake.

Hisataro, a young member of the wealthy Fuchigami family, has a mysterious ability. Every now and then, against his will, he falls into a time-loop in which he is obliged to re-live the same day a total of 9 times. Little does he know how useful this ability will be, until one day, his grandfather mysteriously dies...

As he returns to the day of the murder time and again, Hisataro begins to unravel its secrets. With a sizeable inheritance up for grabs, motives abound, and everyone is a suspect. Can Hisataro solve the mystery of his grandfather’s death before his powers run out?

Written in a witty, lighthearted voice, this clever and playful book will appeal to fans of both traditional murder mysteries as well as readers of cozy mysteries. It's a delightful treat for fans of the intricate plotting of Agatha Christie, the gentle humor of Richard Osman, and audacious inventiveness of Stuart Turton.

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"The Man Who Died" is very akin to the "The Seven Deaths of Evelyn Hardcastle - a bit of sci-fi time travelling similar to "Groundhog Day".

Mixed feelings. I really wanted to love this and read it through to the end, but was rather bored to be honest. Unlike "Evelyn Hardcastle", the narrator in this one relives each "time" in his own body - so we don't get the different points of view of the events. The "time loops" are an opportunity or mechanism in this instance, for the narrator to interrogate / investigate each individual suspect and to ultimately solve the mystery.

However, just not engaged with this one unfortunately though others will devour this with eagerness.