The Queens and Royal Women of Sweden c. 970–1330

Synopsis: This is the first major piece of scholarship to provide an overview of the lives of Sweden’s earliest documented queens, together with some of their most influential female relatives, who lived between 970 and 1330.

Spanning a period over 350 years, approximately 40 biographies are included from the semi-legendary Viking queen Sigrid Storråda to Duchess Ingeborg of Norway, the first female de jure and de facto ruler of Sweden. 

Rather than merely summarising previous research, this study offers new perspectives on the evolution of queenship in medieval Sweden. It tracks the different religious, political, and socio-economic trends which defined and shaped the office of queen and identifies three main phases of development which led to royal women’s economic and political emancipation by the mid-fourteenth century. 

The study’s main strength lies in its close reading and novel interpretation of the surviving primary sources, enabling readers to understand the importance of these women and wider themes such as state formation, Christianisation, and international politics.

The Queens and Royal Women of Sweden, c. 970–1330 is of interest to scholars of queenship and gender studies, medieval historians in general, those with an interest in ecclesiastical history, and anyone studying medieval Scandinavia.

Review: Sisters In Death by Eli Frankel

Synopsis: Who killed the Black Dahlia? In this eye-opening shocker, an award-winning producer, true-crime researcher, and Hollywood insider finally solves the greatest - and most gruesome - murder mystery of the twentieth century just before its 80th anniversary.

In January 1947, the bisected body of Elizabeth Short, completely drained of blood, was discovered in an undeveloped lot in Los Angeles. Its gruesome mutilations led to a firestorm of publicity, city-wide panic, and an unprecedented number of investigative paths led by the LAPD—all dead ends. The Black Dahlia murder remained an unsolved mystery for over seventy years.

Six years earlier and sixteen hundred miles away, another woman’s life had ended in a similarly horrific manner. Leila Welsh was an ambitious, educated, popular, and socially connected beauty. Though raised modestly on a prairie farm, she was heiress to her Kansas City family’s status and wealth. On a winter morning in 1941, Leila’s butchered body was found in her bedroom bearing unspeakable trauma.

One victim faded into obscurity. The other became notorious. Both had in common a killer whose sadistic mind was a labyrinth of dark secrets.

Eli Frankel reveals for the first time a key fact about the Black Dahlia crime scene, never before shared with the public, that leads inexorably to the stunning identification of a criminal who was at the same time amateurish and fiendish, skilled and lucky, sophisticated and brutish. Drawing on newly discovered documents, law enforcement files, interviews with the last surviving participants, the victims’ own letters, trial transcripts, military records, and more, this epic true-crime saga puts together the missing pieces of a legendary puzzle.

In Sisters in Death, the Black Dahlia cold case is finally closed.

~ ~ ~

The mystery of the Black Dahlia has intrigued many - including myself - for some time. Who really was Elizabeth Short, what was she doing in the days / weeks leading up to her death, and why was she murdered is such a brutal manner.

Frankel explores initially the murder of Liz / Beth / Betty Short in 1947 from what is popularly known and reported on. Elizabeth is the proverbial riddle wrapped up in a mystery inside an enigma. Then we move onto what Frankel perceives to be a similar murder - possibly the trial run to Elizabeth Short - that being the brutal murder of heiress Leila Welsh in 1941.

Frankel outlines the history and life of Welsh, including the love triangle she found herself in whilst a socialite at university. Then the detail of the murder, investigation, and trial - where the main suspect was her own brother! At this particular time, there was constant conflict between investigating parties, and rampant violence and corruption in the police force and judicial system was commonplace. A fair trial for Leila's brother was not on the cards - a quick and easy solution was, and as a result, the family endured more than then should.

We are then drawn back to Elizabeth Short - a more detailed look at her life in Hollywood, her associations, and a re-look at not only her final days, but of an investigation that had been tainted from the very start so that the real perpetrator literally got away with murder.

Frankel directs the reader to similarities in both cases: the bungled investigations, the return of the murderer to the scene of the crime to leave clues, witnesses and suspects discounted too easily, whilst providing information as to where, when and with whom the lives of these two women intersected. Frankel links one particular suspect to both crimes - a person of interest who warranted further investigation but wasn't. It is an intriguing proposition - and Frankel posits a plausible case for his suspect.

True crime fans will sink their teeth into this one - I did!

Review: Evil In High Places by Rory Clements

Synopsis: The closer you get, the further you have to fall.

Munich, 1936. All eyes are on the Bavarian capital for the upcoming Olympic games. As athletes fight for gold and the Nazis fight for power, Detective Sebastian Wolff faces a battle of his own.

A famous actress has disappeared and Wolff has been ordered to find her, fast. But Elena Lang is no ordinary film-star: she is the mistress of Joseph Goebbels - Hitler's right-hand-man in the party that Wolff despises.

But corruption runs deep in Munich and Elena is just the first to go missing. In a search that will take him from high society to the city's darkest corners, Wolff is about to learn just how easily the hunter becomes the hunted: this is a city on the brink of war, and some enemies are better left alone.

~ ~ ~

Who do you trust when a stray word or action could mean a death sentence.

This is the second in a series, the first book being "Munich Wolf", which I do recommend reading before this one as it will give the reader move of an anchor for this second book. Both books are set in 1930s Germany, when the Third Reich was in the ascendant, war was not yet a reality, and the Olympic Games would be used by Hitler as an opportunity to promote his government and ideals of racial supremacy.

Into this cauldron of conspiracy, suspicion, corruption, paranoia, elitism and racism, is a solid police procedural wherein our main character, Sebastian Wolff is at odds with the party line, and his Sergeant, Hans Winter, has a secret that could end not only his career but his life.

Both men are sent to investigate the disappearance of film star Leila Lang, and are required to conduct their investigation without treading on the toes of the German aristocratic elite and the dreaded SS. Against this, the reader is confronted by the treatment and persecution of Jews, the support given to Hitler from elements of the British aristocracy, and the growing control over all levels of society that was beginning to be more forcefully exerted and enforced.

The narrative is full of " .. twists and turns as tight as the winding bend up to Schloss Stark ...".

This is a compelling work and one I would liken to by that of author Douglas Jackson, whose books are set in late 1930s Warsaw.

Review: What's Mine Is Yours by Leah Mercer

Synopsis: She invited her into her home. She shouldn’t have…

Emily: It’s been a long time since my best friend Ava stopped speaking to me. But I knew I’d find a way back in. When I hear that her daughter won’t sleep at home because of a burglary on the street, I offer to swap houses for a while. Ava is so grateful. And now I’m staying in her family home, I finally understand why she’s been avoiding me… Ava isn’t as perfect as she makes out. She’s been hiding a big secret that could ruin her idyllic life. Only now, I know all about it…

Ava: I didn’t want to let Emily back into my life, but my daughter begged me to agree to the swap. I’ll do anything for my precious girl. As I lie in Emily’s bed in her cramped apartment, I fear what she’s up to inside my home. Has she looked through my belongings? Has she found the key to the locked room in my basement? And does she know the truth about what I did?

Two friends. Two secrets. Which one is telling a deadly lie, and which is in danger?

~ ~ ~

Two women - initially friends but drifted apart, are brought back together by tragedy and decide to house swap. One is keen - one is reluctant - but both women have secrets they have no wish for the other to discover, especially now that they have swapped residences!

Quick easy chapters with flowing first person narratives that quickly build the intensity of the drama until dark secrets linking them all are finally laid bare, out in the open. The reader is left wondering just how will these revelations impact the women and their families, and will it propel one or the other into actions with unforgiving consequences.

Loved every page as I sat highly engrossed trying to discover the secrets of Ava and Emily before they were ultimately revealed to the reader.

Review: The Revenge Plot by Jackie Kabler

Synopsis: When Ella Leonard arrives at work one Monday morning, she’s stunned.  The place isn’t just shut – it’s gone. Boarded up, closed down.

Days later, she gets home to find she’s been evicted from her flat, her belongings piled on the doorstep. It’s as if, bit by bit, someone is taking her entire life away from her.

Who, and why? And how much worse can it get? The answer? A lot worse.   This is just the beginning…

~ ~ ~

We all know that revenge is a dish best served cold, on fine bone china - but this tale takes the cake!

We are introduced to Ella Leonard front and centre - she is our first ... victim. Why is someone targeting Ella in such a despicable way, what has she done to merit such unwelcome attention. As Ella's life unravels, no clue is yet to be given.

Enter Harriet, an old friend of Ella's, who steps in to assist Ella in getting back on her feet. But as the narrative draws onward, we are left wondering if Harriet herself is all she seems. Harriet has a secret .. or two ... which are revealed to the reader, and here we learn of Nisha - nemesis and tormentor of Harriet.

The lives of these three women have intertwined over many years, and it is not until they begin to converge in the present, that the secrets and reasons behind their acts of revenge become clear.  The pace certainly picks up from this point.

The short sharp chapters of first person narrative keep the reader immersed - but we are left asking ourselves, who do we cheer for when all three consider themselves victims and all are just as unlikable as their past and present lives are linked. Everything comes full circle, but we are left wondering at what cost - who ultimately gains from their revenge - and who is left with nothing. The conclusion is a little convoluted but in the overall scheme of things, why not!

Review: Dead of Summer by Jessa Maxwell

Synopsis: Orla O’Connor hasn’t been to the isolated New England enclave of Hadley Island since she graduated from high school a decade ago. As a teenager, her best friend Alice disappeared from its shores without a trace—but with plenty of rumors.

Now, Orla returns to her family’s beachfront home to clean it out before her parents sell it. The island and her best friend’s house next door, abandoned after her family left in grief, are stirring up memories she would like to avoid. Then there are the locals, always gossiping and watching Orla’s every move. Worst of all, David, Orla’s childhood crush and son of a wealthy Manhattan family, is back for the summer with his new, impossibly pretty girlfriend, Faith.

Faith suspects that David is going to propose but as soon as she settles into his family’s sprawling Hadley Island estate, she feels out of place. She anticipated a luxurious summer of fun and romance, but David is never around—lured into business conversations with his entrepreneur father from dawn to dusk. With nothing else to do, Faith begins to investigate the island’s dark past, curious about what really happened to Alice all those years ago.

Meanwhile, local Henry hasn’t left his house since the young girl went missing, in an attempt to let the accusations against him die down. Except they never have. For years, Henry has had an endless supply of time to pursue his only hobby, watching the island from his telescope and recording the activities of its inhabitants. But Orla’s return has shaken him and lately he’s been seeing strange things: shadowy figures walking on the beach in the middle of the night and a light on in the upstairs window of the long-abandoned house of the missing girl.

When there’s another disappearance on the island, all three find themselves pulled into an eerie and twisty mystery that will haunt them for the rest of their lives.

~ ~ ~

Hadley Island - an isolated, secluded, insular, almost claustrophobic community, holding its dark secrets very close, especially by those with money and power. A community dominated by what is referred to as "narrow-prying neighbours" - where the public and private activities of individuals are open to observation (and interference) by the greater community.

Orla O'Connor is drawn back to the island by unfinished business left behind after her hasty departure many years ago when best friend Alice disappeared.  Faith Ellis, a new arrival, is joining boyfriend David Clarke and his family, whilst hoping for an announcement of impending nuptials.  Long term resident Henry Wright, hidden from the community, plays silent witness to all that happens on the island.  What dark secrets will ultimately draw all three together - will these secrets be exposed or kept hidden once again - will the mystery surrounding Alice be finally laid bare.

Using flashbacks and recalled memories, Maxwell weaves her web that slowly draws the reader into the narration. We the reader suspect, guess, imagine where we are being led, but before long the pathway comes to a dead-end and we must back track to find that little trail off to the side that we missed. The clues are there for those paying attention - but Maxwell is clever in deceiving as well as exposing.

Wonderful read that I could not put down - my first by this author - and a great start for this reader.

Review: Five Found Dead by Sulari Gentill

Synopsis: Crime fiction author Joe Penvale has won the most brutal battle of his life. Now that he has finished his intense medical treatment, he and his twin sister, Meredith, are boarding the glorious Orient Express in Paris, hoping for some much-needed rest and rejuvenation. Meredith also hopes that the literary ghosts on the train will nudge Joe's muse awake, and he'll be inspired to write again. And he is; after their first evening spent getting to know some of their fellow travelers, Joe pulls out his laptop and opens a new document. Seems like this trip is just what the doctor ordered…

And then some. The next morning, Joe and Meredith are shocked to witness that the cabin next door has become a crime scene, bathed in blood but with no body in sight. The pair soon find themselves caught up in an Agatha Christie-esque murder investigation. Without any help from the authorities, and with the victim still not found, Joe and Meredith are asked to join a group of fellow passengers with law enforcement backgrounds to look into the mysterious disappearance of the man in Cabin16G. But when the steward guarding the crime scene is murdered, it marks the beginning of a killing spree which leaves five found dead—and one still missing. Now Joe and Meredith must fight once again to preserve their newfound future and to catch a cunning killer before they reach the end of the line.

~ ~ ~

The author provides the reader with a puzzle and mystery that is centered around how Christie's story amplifies the travelers' own experience on the actual Orient Express and of their perceptions of the fellow passengers.

This theme is referred to quite often by the fictional character of crime fiction author Joe Penvale and his sister, lawyer Meredith, who embark on a journey on this famous train only to find themselves caught up in their own version of "Murder on the Orient Express".

Like the Christie novel, the reader meets Joe's fellow passengers on the train - in fact it is a train full of detectives of one sort or another. There is the locked room murder, all passengers are suspects as Joe put himself in the position of Poirot and investigates. Clues and red herrings abound, as the body count rises (a la Death on the Nile), and the author reveals that not all is what or who they seem.

An entertaining homage to the Queen of Crime.

Review: Arden by GD Harper

Synopsis: Alice Arden, idealistic and wealthy beauty, burnt at the stake for killing her husband, the former mayor of Faversham in Kent. But was she really the one responsible for the most scandalous murder of the sixteenth century?

William Shakespeare, England’s greatest playwright, born thirteen years after Alice’s execution. Why does his first-ever play, written about this murder, not bear his name?

This is a story of two people – one reviled, one revered – whose fates become linked in a tale of corruption, collusion and conspiracy. Based on historical documents and recently published academic research, Arden unveils shocking new evidence about the murder of Thomas Arden and reveals, for the first time, a remarkable new theory about Shakespeare’s early years.

~ ~ ~

The premise of this historical fiction tome was the lure for me - the delivery left me a little undecided with regards as to how I felt about the narrative as a whole - but persevere I did.

This tale of murder is told in the first person by both of our primary characters - William Shakespeare and Alice Arden - their stories separated in time by some fifty years with Alice's story taking place from the early 1530s and Shakespeare's from the 1580s.

We already know (or should do if we have picked up this tome) that Alice's rise and falls end with her being burnt at the stake for her involvement in her husband's murder.  This was the fate for wives at the time as it was considered treason for a wife to kill her husband.  Wifely insubordination must be neutralised and contained; scrutiny and proper regulation of the household was vital to the preservation of domestic order. Tudor society too was dominated by what Alice herself refer's to as "narrow-prying neighbours" where the public and private activities of individuals was open to observation and interference by the greater community.

We also know that this crime is the focal point for exploring the possibility the Shakespeare himself wrote as his first-ever play, based on the fate of Alice, with whom he may have been related to through his own mother. The play existed - it was written and presented and the reader can find a copy for themselves online (see links below).  Harper posits that quite possibly this theme such that the Bard was unable to ascribe his name to it - it was that much of a career-ending political hot-potato.

For me, the journey from beginning to end was itself a little arduous and didn't really pick up until Alice's lover re-appears in her life. Harper does a decent job of exploring through the Shakespeare narrative, of whether Alice was a naive tool of her lover Mosby or a willing participant, who used her husband's own greed to get what she wanted.

I found the author's note at the end the most informative, and if crimes set in Tudor England are of interest, then definitely pick up this historical fiction tome.

Further reading:

The English Broadside Ballad Archive - the Complaint & Lamentation of Mistress Arden

The Newgate Calendar - Alice Arden of Feversham

Chambers' Book of Days - Entry for November 23rd

Project Gutenberg - Arden of Feversham

Review: Agents of Change by Christine Hillsberg

Synopsis: The timely and revelatory exploration of the pioneering women who changed the insulated world of international espionage—from the barrier-crashing challenges of the 1960s to the present day reckoning—told through the eyes of a former intelligence operative herself.

Through exclusive interviews with current and former female CIA officers, many of whom have never spoken publicly, Agents of Change tells an enthralling and, at times, disturbing story set against the backdrop of the evolving women’s movement. It was the 1960s, a “secretarial” era, when women first gained a foothold and pushed against the one-dimensional, pop-culture trope of the sexy Cold War Bond Girl. Underestimated but undaunted, they fought their way, decade-by-decade, through adversity to the top of the spy game.

~ ~ ~

"... there is no crying in espionage ..."

From the 1960s through to our current decade, women have endured misogyny and sexism in the workplace, as well as both racial and gender discrimination - the agencies of the secret services are no different nor are they immune. The documented behaviour towards women by men in Hillsberg's book could apply to women anywhere - except in these instances, the women run the risk of exposure, imprisonment and death - all for serving for the greater good of their nation. 

Hillsberg documents across seven decades, the internal and external threats the women battled, with a more narrower focus on the barriers being put up to their advancement - oft times by their own gender - setting all this in context against the modern-day "Bond" franchise.

"Agents of Change" looks at the numerous milestones these women achieved across the decades, from working as secretaries and clerks, to going out in the field of covert ops, to becoming departmental heads. All the while having to walk the fine line of work-life balance that their male counterparts did not. As Hillsberg notes: "... spying was still very much a man's world ..." and some of the stories presented highlight that fact - detailing the prevalence of sexual harassment and unwelcome advances including those from both colleagues, and external agents and operatives, slut-shaming, aggression, and the constant deflection of the barrage of rumour and inuendo when advancement does come their way. Hillsberg also sadly notes, that women in the Agency did not feel able to support other women due to potential repercussions for themselves and their own careers - this is still prevalent today - women can be their own worst enemy.

As the decades roll on, Hillsberg concentrates her focus a small number of prominent women and the challenges they faced - married women were often forced to give up their careers for their families, but also in order to ensure the career advancement of their husbands. For many, they elevated themselves above societal and cultural norms to work in a field where threats to personal safety could be a daily occurrence. Hillsberg documents that for some, the inevitable toll on their mental health and personal lives and those of their families, was too much and they left the Service, a number taking on prominent roles the the government and business sectors.

This is an eye-opening chronicle of the struggles women faced in the Agency, written by one who had the insider's take on what these women experienced. There are still many more untold stories, but as the synopsis notes, this is a ".... long overdue tribute to the survivors....".

In conjunction with this book, I also recommend reading "Secret Servants of the Crown" by Claire Hubbard-Hall, which looks at the role of women in the British Secret Services.