Sunday, November 15, 2020

Review: The Syndicate Six Murder by Geoffrey Osborne

The Syndicate Six Murder

Synopsis: A Jacobean mansion. A body in a chest.

Detective Superintendent Ralph Blade never liked Detective Harold Ashington. These two men had history. Ashington never forgave Blade for marrying his former girlfriend, Julie, and he was convinced the Blades’ son was his own.

Now Ashington is dead, murdered at the world-famous Police Staff College in the heart of rural Hampshire. And Julie can’t explain why she had planned to meet him on the night he died. Has a forgotten love triangle turned deadly?

But Ashington was a bully and a blackmailer, and widely disliked. There are plenty of other suspects — and all of them are either senior police officers or closely connected to the force. Then Blade’s prime suspect and one of his team are brutally attacked and left for dead.  Can Blade and his new second-in-command Detective Dorothy Fraser uncover who has motive, means and opportunity?



A pacey murder mystery set in a Police Training College where the victim, the suspects, and the investigators are all police officers. What could possibly go wrong!

Though by (my) normal standards this is a short book at only 164 pages, it feels much longer. The chapters themselves are not overly long though there is much to be gleaned from each.

I enjoyed the storyline and the fact that the author used a real location and object in which to set his crime. Bramshill was a world-famous Police Staff College situated in north-east Hampshire.  It laid claim to a large country estate, including a lake, and the Jacobean mansion where the recruits trained.

It is into this setting that we follow DS Ralph Blade and his team as they investigate the murder of a man for whom many will not shed a tear for the victim, Chief Superintendent Harold Ashington of Scotland Yard, was a truly despicable man, and as such, there is an over abundance of suspects and motives that need to be investigated. Chief among the list of suspects with a suitable motive is DS Blade and his family and for Blade, the motive, long thought buried in the past, surfaces and his family is drawn in. But Blade is not the only credible suspect - there are others, many others, including colleagues and the victim's own wife!

As with all police procedurals, the build up is slow and steady as we tag along with the investigating officers until all is ready to be revealed.

Review: Easy Motion Tourist by Leye Adenle

Easy Motion TouristSynopsis: Easy Motion Tourist is a compelling crime novel set in contemporary Lagos. It features Guy Collins, a British hack who stumbles by chance into the murky underworld of the city. A woman's mutilated body is discarded by the side of a club near one of the main hotels in Victoria Island. Collins, a bystander, is picked up by the police as a potential suspect. After experiencing the unpleasant realities of a Nigerian police cell, he is rescued by Amaka, a Pam Grier-esque Blaxploitation heroine with a saintly streak. As Collins discovers more of the darker aspects of what makes Lagos tick - including the clandestine trade in organs - he also falls slowly for Amaka. Little do they realise how the body parts business is wrapped up in the power and politics of the city. The novel features a motley cast of supporting characters, including a memorable duo of low-level Lagos gangsters, Knockout and Go-Slow. Easy Motion Tourist pulsates with the rhythms of Lagos, reeks of its open drains, and entertains from beginning to end. A modern thriller featuring a strong female protagonist, prepared to take on the Nigerian criminal world on her own.



This is Nigerian noir fiction in all its gory glory.

On his first night in Lagos, a British journalist ostensibly in the country to report on the forthcoming presidential elections finds himself in the midst of a crime scene - the brutal murder and mutilation of a young woman. Swept up by the local police, Guy Collins laments as he finds himself in a car with me who hadn't identified themselves as police nor read him his rights; he in turn had not asked for ID; and he was being driven who knows where and no-one knew he had been taken.

Enter one tough and determined woman, Amaka.  Who she actually is and what her role is we the reader are never quite sure of - suffice to say this is elaborated upon as we delve further into the murky Lagos underbelly where everyone is packing heat; sex and drugs are currency; corruption is rife and accepted; life is brutal and cheap; and its all about image and the perception of power - from gang members, to police to politicians.

This will certainly not be to everyone's liking but if you are interested in differing views of the crime genre then this would be a good starting point.  Looking forward to the next book - When Trouble Sleeps.


Sunday, November 8, 2020

'Queen of crime' Agatha Christie goes to Bollywood

From BBC News:
A murder takes place in a misty Himalayan hill resort. As the whodunit unfolds, a couple almost unwittingly begin sleuthing to get to the bottom of the crime. And the story is based on a novel by the world's most celebrated crime writer.

That's all Indian filmmaker Vishal Bhardwaj is willing to reveal now about his upcoming film, based on a novel by "queen of crime" Agatha Christie.

It is also the first time that Agatha Christie Limited, which looks after the author's estate, has franchised her stories to an Indian filmmaker. "We have done many adaptations across the world and every country brings its own flavour to the piece. I have no doubt that this will be the same," James Prichard, Christie's great grandson and the CEO of the estate, told me.

Bollywood's Christie would not be the first adaptation to have music and dance. An episode of a series in French - Les Petits Meurtres d'Agatha Christie - had "many musical numbers," says Prichard. "So never say never."

It's possibly apt that Christie is going to Bollywood in the 100th year since the publication of her first novel The Mysterious Affairs at Styles. Since then, an astonishing two billion copies of her books have sold in more than 100 languages, including English, according to her estate. Last year alone, her books sold more than two million copies. They have been adapted by television, film and theatre, a testament to their timelessness.



read more here @ BBC News

see also
- Bollywood Crime Thrillers Based On Agatha Christie Novels
- Bollywood Adaptions of Agatha Christie
- 6 Indian Movies Inspired By Agatha Christie


Wednesday, November 4, 2020

Siege Warfare during the Crusades by Michael Fulton

Sieges played a key role in the crusades, but they tend to be overshadowed by the famous battles fought between the Franks and the Muslims, and no detailed study of the subject has been published in recent times. 

He considers the history of siege warfare in the Holy Land from every angle – the tactics and technology, the fortifications, the composition of the opposing armies, and the ways in which sieges shaped Frankish and Muslim strategy at each stage of the conflict. The differences and similarities between the Eastern and Western traditions are explored, as is the impact of the shifting balance of power in the region.

The conclusions may surprise some readers. Neither the Muslims nor the Franks possessed a marked advantage in siege technology or tactics, their fortifications reflected different purposes and an evolving political environment and, although there were improvements in technologies and fortifications, the essence of siege warfare remained relatively consistent.



read review by Peter Purton @ De Re Militari

A Few Thoughts and Speculations on the State of Irish Crime Fiction

From CrimeReads:
Generally speaking, while American mystery writers tend to make the Irish lists on a regular basis, British ones do not. We can speculate on the reasons, among which may be a certain unconscious Irish resistance, based on our complicated history with our nearest geographical neighbour, to embracing British police officers—even fictional ones—as entirely trustworthy figures when it comes to issues of law and justice. Escapism may also play a part, Britain being rather too close, and too familiar, to permit it.

The model of Irish mystery fiction that has emerged in recent years is almost entirely female. I think I may be the only Irish male mystery writer to make the Irish bestseller lists, in part because I’ve been knocking around for a while, but also, perhaps, because I don’t write about Ireland.


read more here from author John Connolly @ CrimeReads

Tuesday, November 3, 2020

Review: The White Ship by Charles Spencer

Synopsis: The sinking of the White Ship is one of the greatest disasters in English history. Here, Sunday Times bestselling author Charles Spencer tells the real story behind the legend to show how one cataclysmic shipwreck changed England’s course.

In 1120, the White Ship was known as the fastest ship afloat. When it sank sailing from Normandy to England it was carrying aboard the only legitimate heir to King Henry I, William of Ætheling. The raucous, arrogant young prince had made a party of the voyage, carousing with his companions and pushing wine into the eager hands of the crew. It was the middle of the night when the drunken helmsman rammed the ship into rocks.

The next day only one of the three hundred who had boarded the ship was alive to describe the horrors of the slow shipwreck. William, the face of England’s future had drowned along with scores of the social elite. The royal line severed and with no obvious heir to the crown, a civil war of untold violence erupted. Known fittingly as ‘The Anarchy’, this game of thrones saw families turned in on each other, with English barons, rebellious Welsh leaders and Scottish invaders all playing a part in the bloody, desperate scrum for power.

One incredible shipwreck and two decades of violent uncertainty; England’s course had changed forever. 



Spencer uses the White Ship itself as an anchor for the story of one of the most tragic events in English history - in fact Spencer writes, "... there as not a part of Henry's Anglo-Norman realm that remained shielded from the impact of the catastrophe ...".

In this tale, Spencer takes you the reader on a tour of the timeline of events from William the Conqueror leading up to the tragedy at sea, and the repercussions for the English throne beyond this.

His narrative is casual, almost conversational, as if he were giving you a conducted tour of Althorp. Yet this same narrative, with the gentle resonance of Spencer's voice, is concise, informative not dry or stuffy. For me, this is well-worn ground - however, I at no time found my attention waivering only eagerly looking forward to the build up to the disaster and to the fate of England, left without a legitimate male heir for the concept of a woman ruling in the 12th century was anathema in both England and Normandy. Spencer takes us through an abridged version of what became known as "The Anarchy" finishing up with the settlement of succession onto Henry Plantagenet.

Spencer finishes with this rather poignant quote from William of Malmesbury "... no ship that ever sailed brought England such disaster ..."

Highly recommended and one I will be adding to my shelves (upon which I already have two of Spencer's books - Killers of the King and To Catch A King).


Further reading:
The Anarchy by Teresa Cole
The Anarchy of King Stephen's Reign edited by Edmund King
King Stephen & The Anarchy by Chris Peers
Stephen & Matilda's Civil War by Matthew Lewis
Matilda: Empress, Queen, Warrior by Catherine Hanley
Stephen & Matilda by Jim Bradbury
The Normans by David Crouch
Henry I by Judith Green
King Stephen's Reign by Graeme White & Paul Dalton

The White Ship by Nicholas Salaman (fictional account)

Review: The Bride Wore Black by Cornell Woolrich

Synopsis: No one knew who she was, where she came from, or why she had entered their lives. All they really knew about her was that she possessed a terrifying beauty-and that each time she appeared, a man died horribly...






The first in Cornell Woolrich's "black" series of novels - the others being The Black Curtain, Black Alibi, The Black Angel, The Black Path of Fear, Rendezvous in Black.

I think it is a wonderful tale of revenge wherein the motive lies back in the past - for as we all know, revenge is a dish best served cold (and on the best china!).

This novel also diverges from the standard mystery genre in that the focus is not on the cat and mouse chase of thevsuspect and detective, rather on the suspect and victims. The narrative is clearly separated into each of the victims and always begins with the arrival of "the bride" before we get into the details of each murder. The set up for each murder is given ample page-time. However, it is not until we reach the very last that things are not so clear cut, and the motive and the final denouement do not reach us until the very last pages - even then, things take another surprising turn.

As to the main characters, the detective - Lew Wanger - in this instance is merely there to summerise the known facts. He is constantly being frustrated by his superiors who refuse to believe there is any connections between the crimes, all of which display different "modus operandi" in the execution (pardon the pun). Only as we progress from murder to murder does his role become a little more fuller as he begins to connect the dots and the author allows him more of our attention. And yet upon reflection, "the bride" herself is seemingly kept at arms length too - we don't really know her story until its conclusion.

This novel is well worth exploring - and I look forward to more from the series.

And for those interested, Woolrich was the author of numerous classic novels and short stories (many of which were turned into classic films) such as Rear Window, The Bride Wore Black, The Night Has a Thousand Eyes, Waltz Into Darkness, and I Married a Dead Man. Many also claim that The Bride Wore Black may have been the inspiration behind "Kill Bill" though Tarrantino declare that is not so.

Review: 1066 - A Guide to the Battles and the Campaigns by Livingston & DeVries

Synopsis: The Battle of Hastings, fought on 14 October 1066, changed the course of English history. This most famous moment of the Norman Conquest was recorded in graphic detail in the threads of the Bayeux Tapestry, providing a priceless glimpse into a brutal conflict.

In this fresh look at the battle and its surrounding campaigns, leading medieval military historians Michael Livingston and Kelly DeVries combine the imagery of the tapestry with the latest modern investigative research to reveal the story of Hastings as it has never been told and guide visitors around the battlefield today.

This absorbing new account of the battle will be fascinating reading for anyone keen to find out what really happened in 1066: the journeys by which Harold Godwinson and William of Normandy came to the battlefield, and the latest reconstructions of the course of the fighting on that momentous day. It is also a practical, easy-to-use guide for visitors to the sites associated with the conquest as well as the Hastings battlefield itself.



This is a well researched and easy to read entry into the period immediately before, during and after the Norman Invasion of England in 1066.

Written so that even someone with no knowledge of events can follow, Livingston and DeVries provide ample information without overwhelming the reader with a vast amount of research. What they do provide is an analysis of the events, battles and key players, whilst using separate text boxes for other key subject matters (ie: weapons, armies, tactics, etc). Each chapter includes or is finished with what the authors term as a "tour" of places and structures pivotal to the events.

The narrative is written simply yet informatively, utilising known chroniclers, the sagas, archaeological evidence, photos and maps to gently guide the reader. An extensive reading list concludes.

Definitely a book to be considered as a primer or introductory text for the Norman Invasion of 1066.


Sunday, November 1, 2020

Review: American Sherlock by Kate Winkler Dawson

Sysnopsis: The story of the birth of criminal investigation in the twentieth century. , California, 1933. In a lab filled with curiosities--beakers, microscopes, Bunsen burners, and hundreds upon hundreds of books--sat an investigator who would go on to crack at least two thousand cases in his forty-year career. Known as the "American Sherlock Holmes," Edward Oscar Heinrich was one of America's greatest--and first--forensic scientists, with an uncanny knack for finding clues, establishing evidence, and deducing answers with a skill that seemed almost supernatural.

Heinrich was one of the nation's first expert witnesses, working in a time when the turmoil of Prohibition led to sensationalized crime reporting and only a small, systematic study of evidence. However with his brilliance, and commanding presence in both the courtroom and at crime scenes, Heinrich spearheaded the invention of a myriad of new forensic tools that police still use today, including blood spatter analysis, ballistics, lie-detector tests, and the use of fingerprints as courtroom evidence. His work, though not without its serious--some would say fatal--flaws, changed the course of American criminal investigation.

Based on years of research and thousands of never-before-published primary source materials, American Sherlock captures the life of the man who pioneered the science our legal system now relies upon--as well as the limits of those techniques and the very human experts who wield them.



This is an excellent story of one of America's most prominent forensic scientist of the 1920s - 1950s. Suffice to say this is definitely one for all those who love to read about the development of forensic science as applied to crime.

The author introduces us - albeit briefly - to a man who has been lauded as one of the greatest forensic scientists of his time. A man who in his forty year career pioneered many forensic techniques still in use today; who opened his own private lab at his own expense; who became one of the first expert witnesses to be called upon; who was a father, husband, teacher, friend, and at times, curmudgeonly, arrogant and obsessive.

Kate Winkler Dawson comments that the "... archaic methods of crime fighting in the 1920s, procedures depending on hunches and weak circumstantial evidence, were futile ..... police were outnumbered and many times outsmarted ...". Here this mostly self taught man came into his own, with his knowledge of many disciplines that could be applied to the analysis of a crime scene.

The author looks at eight particular crimes in which Heinrich developed new techniques for detection or improved upon older ones. Each chapter is entitled "the Case of ...." (a bit like an episode of Perry Mason) and includes one on Heinrich himself, wherein the author delves into his personal history. All of the cases are fairly well known and take place in the 1920 and 1930s - so no spoiler alerts required.


The Case of Allene Lamson's Bath is spread over two chapters - one at the very beginning and one at the end. However, this first part essentially deals with the murder of said woman in her bath and the arrest of her husband (1933). Much of this case focused on blood spatter patterns, which he first introduced at a trial in 1925. The completion will be much later in the story, when we are taking through the trial of David Lamson - and the battle of the expert witnesses.

As mentioned, there is a chapter on young Oscar as he is known - The Case of Oscar's Demons. This is where (as mentioned above) we learn more about Heinrich and his entree into the world of crime and forensic science.

Chapter three - The Case of the Baker's Handwriting - focuses on the profiling of the suspect, the deciphering and analysis of handwriting, and .. the use of the first polygraph machine. In this instance, the case involves the kidnapping and ransom of a local priest, Father Patrick Heslin (1921). We are also taken through Oscar's rivalry with two other experts (he was third chair) and here we see the beginnings of his contempt for others whose skills are not in the same league as his own.

The notorious case of Hollywood actor Fatty Arbuckle is dealt with in the next chapter, The Case of the Star's Fingerprints. Obviously, it is the identification and analysis of fingerprints that sees Heninrich participating in this trial. It is also one in which his own credibility and reputation are called into question - and his views on Hollywood sees his personal feelings influencing his usually logical judgement.

The Case of the Great Train Heist two years later saw him brought in to profile suspects based on the evidence they left behind both at the scene and also in hidden caches. Again, handwriting comparison was a featured technique. Success was not immediate - the culprits were captured after four years on the run; however, business did increase and he was called upon as a criminologist.

Oscar Heinrich was not quiet in these years. He worked on many other cases from kidnapping, forgeries, murder - including the mysterious murder of Hollywood producer, William Desmond Taylor - a case still unsolved today. We also see a different side to Oscar - his fascination with writing detective stories, his obsessive compulsion with regards to data gathering and storage, and the collation of dossiers that he kept on both himself and his rivals.

Oscar's next big case was in 1925 and involved a noted chemist - the Case of the Calculating Chemist - who, after involvement in a sexual scandal, was found dead in his lab. Unfortunately not all was what it seemed, and saw Oscar delving into the realm of forensic anthropology - making some startling discoveries that would be more in line with an episode of the TV series "Bones".

However, Heninrich would not be so lucky in his next big case of that same year - the Case of Bessie Ferguson's Ear - which despite his profile of the suspect, soil and particle analysis, forensic entomology, the killer evaded authorities. On a more personal note, Oscar teaching methods were being called into question by his friend and confidant John Kaiser whilst at the same time he himself was compiling a long list of professional enemies, people whom he felt were encroaching on his territory of forensics. I guess bringing the science of forensics into the public forum was a bit of a double edged sword - it made the science more accessible but also created more scientists thus reducing his lucrative casework - and for Oscar, with his eye always on the financial bottom line, this was most distressing.

Again, Henirich was still called upon to work on many cases which saw the use of utra-violet light to reveal blood, the use of toxicology to reveal poison. However, when it came to presenting his findings in court, he more often than not put the jury offside, confusing them with his explanation. Unfortunately, his extreme hubris was also turning other experts against him too. Whilst Oscar's lab was funded by him privately, many new forensic experts were creating fnancially lucrative partnerships at labs funded by universities - and the competition for their services was quite vigorous.

In one of the final cases presented - the Case of Marty Caldwell's Gun - it is in the areas of ballistics analysis and his use of the comparison microscope (developed by Calvin Goddard and Phillip Gravelle). Up against his old rival and the conflicting information presented in court, Heinrich set up his equipment in court and invited the jurors to see for themselves - this was the first time such a thing was done.

We finish with the conclusion of the Alleme Lamson case, one in which we find Oscar on the side of the defendant rather than the prosecution. It was a messy case that went on for years, and saw the accused writing a book which was adapted into a movie. This case also called into question the bias of the judicial system, the harassment of jurors, and for Oscar, he too learned a valuable lesson - jurors reject what they don't easily understand - something which can make or break a case.


This fascinating read concludes with a follow up on the major players of the time; discusses the many methods developed by Oscar which are still used today, including his meticulous cataloguing of evidence; and gives us a brief run-down of his son's careers. Oscar was a rarity - in his own time and quite possibly even now. He was a mostly self taught man whose expertise encompassed many disciplines. I guess we must thank his life long confidant John Kaiser for ensuring materials of scientific interest were continually forwarded onto Oscar for use in the development of scientific methods.

This biography is presented in an easily read and understood manner - exploring all facets of the life of this unique man and also his methodologies. A highly recommended read for those with an interest in the development of forensic science and detecting techniques.


The Cases:
Allene Lamson's Bath

The Baker's Handwriting

The Star's Fingerprints

The Great Train Heist
- Southern Oregon Historical Society - Ray DeAutremont
- Southern Oregon Historical Society - Roy DeAutremont
- Southern Oregon Historical Society - Hugh DeAutremont

The Calculating Chemist

Bessie Ferguson's Ear

Marty Colwell's Gun


Further Reading