Showing posts with label henry VIII. Show all posts
Showing posts with label henry VIII. Show all posts

Sunday, October 4, 2020

Review: The Murder of Edward VI by David Snow

The Murder of Edward VI
Synopsis: We all know the story of Henry VIII, the man who created a religious schism for the sake of divorce. A man desperate for a son he had six wives. Henry VIII had only one son in his life, Edward VI, and this is his story...

Edward ascended to the throne of England at just nine years old and became the last male of the House of Tudor, dying at the young age of fifteen under somewhat dubious circumstances. Was it poison or tuberculous? Was Edward’s half-sister, Bloody Mary, the murderer?

In The Murder of Edward VI, readers follow castle intrigue through the eyes of Richard Barton, a fictional protagonist who takes part in the events of the period. What starts as a story of King Henry’s desperate efforts to obtain a healthy male heir ends in murders.



The premise is the murder of Edward VI, son and heir of Henry VIII of England, with events being recounted by one Sir Richard Barton, a confidant of Henry.


After suffering a number of illnesses, in January 1553 Edward became seriously ill with fever, progressive weakness, and shortness of breath. He was troubled by a persistent cough, his legs swelled so severely that he had to lie on his back. He became increasingly worse and died in July 1553. At his autopsy, two large “putrefied ulcers” were found in his lungs. His physicians declared that he had died of consumption, which has been interpreted as tuberculosis. The truth is we will never know for sure whether it was tuberculosis or not. But we do know it was a long, painful and excruciating death.

This is a fictional work and one in which the author has admittedly taken many liberties with the facts. It is speculative history, positing an alternate or plausable scenario for an historical event that may have been shrouded in a bit of mystery. Sometimes it works - sometimes it doesn't. Unfortunately, this didn't.

The plot - the alleged murder of Edward VI - was a good start. However, it was in the execution (pardon the pun) of the storytelling that I think a good idea became quite lost. We begin with the imprisoned Barton retelling the tale of how he came to be in this predicament to William Cecil, Chief Minister of Elizabeth I. 

" ... years of confinement have made it difficult .. to distinguish between that which is real and that which is imagined, or even to correctly recall events in the sequence of time in which they occurred ... "

The first line of the synopsis says "we all know the story". Unfortunately, we spend far too much time in the court / reign of Henry VIII laboriously retelling this known story before we get anyway near the murder plot (page 357 out of 408). I am fairly certain that the narrative of the preceding thirteen chapters could have been condensed and then the final chapters expanded to reveal more of the "plot" and courtly intrigue.


The detailed accounts of the fictional Barton's time in Calais, in Rome sparring with Pope Clement VII, and as a witness to the political skirmishes between Henry and his chief ministers could and should have been seriously condensed. A simple couple of chapters of background and then get into it from the birth of Edward. This period, where the plot against Edward by Mary was to be manifested, should have been given more page time - and here the "castle intrigue through the eyes of Richard Barton" should really have started to take shape and formalise. It was claimed that upon his succession, Edward kept a diary which upon reading, "... portrays him as cold, unfeeling and uncompromising – a dangerous blend of traits that might have hardened into tyranny if he had lived ..." (source: History Extra).  But Edward's reign, including his relationship with his sisters Mary and Elizabeth, is merely glossed over until he is presented to us on his deathbed.

In addition, I did not feel that the Marta narrative necessary, nor did I find the Catherine / Mary narrative convincing. Then we skip over the succession of Lady Jane Grey - which was okay - and then onto Mary's quest for the throne. Just what our narrator - who passes himself off as a loyal supporter of Henry and Edward - was doing at this time in unknown until he comes before an "angry, aggressive, bitter" Mary, and ends up in the tower. 

Back to the present, Barton finally tells Cecil what exactly it was that he knew of Edward's death. Barton laments "... she got all of use, just as she promised her mother she would, everyone who had ever harmed her mother or stood between Mary and the throne was dead .."

I just really did not bond with Barton - I didn't find him a credible character, and could not understand why he - and not one of the many other confidants of Henry VIII - would be included in the cabal of Henry, Cramner and Wolsey, especially concerning the activities of the Star Chamber. Even Cecil doubts Barton's character and involvement! I wasn't a fan of the structure of the narrative which really let down what could have been a more engaging story.

Those who liked the TV Series, "The Tudors" and are fine with a generous amount of artistic license may like this - but I would suggest doing so with a very open mind. For the purists, maybe not.

Sunday, March 1, 2020

Review: The Great Matter Monologues by Thomas Crocket

46047317Synopsis: England, 1527, King Henry seeks a divorce from his first wife, Katherine, who can't give him the male heir he desires. He sets his eyes on the younger, more daring Anne Boleyn, triggering a complex, triangular exchange of personal narratives from the protagonists, who remain entwined for the ensuing nine years. Each struggle in their pursuits of power, control and survival, ending in 1536 with Katherine's death and Anne's final miscarriage, sealing her fate and giving King Henry cause to seek yet another wife...


This is a different attempt at re-telling the events of Henry VIII's divorce from Katherine of Aragon.

Its is - as the author mentions upfront - based upon a style favoured for the stage - the character, standing alone before his / her audience, recounting their experiences, almost conversationally. In this instance, I can picture the three of them - Katherine, Henry and Anne - standing together, yet apart, with the spotlight moving from one to the other and then the next one, in alternating narrative.

A different perspective on a major event in Tudor history - for those who enjoy reading about the Tudors.

For those seeking to get an idea of what the author is attempting - link to the monologue from A Streetcar Named Desire

Monday, November 19, 2018

Review: Henry VIII and the Men Who Made Him by Tracy Borman

When we see Henry through the men in his life, a new perspective on this famous king emerges...

40527728I am not sure what I was expecting when selecting this book; however, on the basis of the title "... the men who made him" I thought I was getting a new spin of the character of Henry VIII.  What I read was nothing new, nothing I could not have read in in number of tomes on this monarch.  The only difference here is that there is very little mention of the wives.

So what was I expecting: I guess a little more on the main figures in Henry's life.  We have plenty on Wolsey, Cromwell, Cranmer, Brandon, and even a little on some of the men who served him in various capacities - his "youths of evil counsel".  But how much of an influence on Henry were any of them?

We read that Henry's father was aloof, cool, suspicious and that when Henry finally came to rule, was determined to not be like him.  We read that his tutor and chaplain John Skelton was "responsible for shaping his spiritual and intellectual upbringing".  But did either man "make him"?

From an early age - usually around the time of Arthur's marriage - we get a sense of a young Henry enjoying the spotlight, of wanting to be the centre of attention, of his future vanity, of his early need for adulation. 

As his rule progresses, we get more of a sense of the man - his jealousies, his fickleness, his insecurities, his need to be surrounded by fawning sycophants, his ability to change from benevolent patron to destroying angel.  But how much an affect did those surrounding the king actually have on him.  He swings from one direction to another - loathe to take on the task of government then micro-managing his ministers.  Some may have been able to briefly bend the ear of the king, flaming his paranoia or indulging him like a doting parent; but did they actually contributed to the development of the king's persona??

I am not sure if the brief is actually met - I had no understanding of how any of the men in Henry's circle really had so much of an influence on him that they "made" the king the man as we have come to know him.  What I would have liked, rather than yet another history of Henry and his reign, were vignettes of the more prominent men - detailing what role they played.  I wanted to know how these men actually contributed to the making of this monarch - but I was left unsatisfied. I could pick up any number of books on my own bookcase and glean the same information that was contained herein.  

Also, I am not sure that you could consider the rule of Wolsey and Cromwell to be anything other than two lowly born men, who had an aptitude for government, which merely facilitated Henry's self-indulging and aggrandizing lifestyle.  I just had no real sense that any of them shaped the man.  Afterall, to whom do we ascribe the tyranny, the volatility, the cruelty, the almost bipolar nature of Henry - who will put his hand up to this?  I had many questions that went unanswered.

I have no complaints about the writing, the research, the overall presentation - it is an acceptable biography on this great Tudor monarch (though very pro-Tudor).  But, like Oliver Twist - I wanted more and was left wanting.

Friday, September 28, 2018

The Queen and the Heretic by Derek Wilson


Derek Wilson’s The Queen and the Heretic: How two women changed the religion of England describes itself as a dual biography of Anne Askew, a noblewoman who was burnt at the stake for heresy during Henry VIII’s reign, and Catherine Parr, the King’s final wife and the first woman ever to publish a theological text under her own name.

In reality, the first part of the book is more of a history of the Reformation and religious changes in Britain during Henry’s reign, although Wilson does try to relate the changes back to the lives of both women as much as possible, besides attempting to establish where the foundations for their religious convictions stemmed from.

The book is easy to read and accessible. Wilson does not assume any prior knowledge from his readers, and is careful to give wider contextual information where relevant. Both women are brought to life with vibrancy, and as fully formed individuals. It is engaging, and the book deserves credit for highlighting the part played by Catherine’s works in influencing British religious policies and beliefs during this period of history. 

read more here @ Church Times


Wednesday, February 22, 2017

The Aberdeen Bestiary



The Aberdeen Bestiary (Aberdeen University Library MS 24) is considered to be one of the best examples of its type due to its lavish and costly illuminations. The manuscript, written and illuminated in England around 1200, is of added interest since it contains notes, sketches and other evidence of the way it was designed and executed. Its text and appearance are closely related to the Ashmole Bestiary, Oxford, Bodleian Library, MS Ashmole 1511 which provides further insights into workshop practice.

The recorded history of the manuscript begins in 1542 when it was listed as No.518 Liber de bestiarum natura in the inventory of the Old Royal Library, at Westminster Palace. The press mark is on f.1r. This library was assembled by Henry VIII, with professional assistance from the antiquary John Leland, to house manuscripts and documents rescued from the dissolution of the monasteries.

View the manuscript here @ University of Aberdeen

Sunday, October 30, 2016

Thomas Cromwell - A Life In Print

Aside from the famous six wives, Henry VIII's "faithful servant" Thomas Cromwell has recently come to the fore with both the reading and viewing public alike. There are now more "modern" accounts (both factual and fictional) of the life of this dogged Tudor statesman than you can poke a stick at - and I will share a few with you.

The most current rendition of the life of Thomas Cromwell is Tracey Borman's "Thomas Cromwell: The Untold Story of Henry VIII's Most Faithful Servant" (a copy which sits on my own library shelves). A review by The Independent says: " ...  Tracy Borman shows in this excellent, scrupulous biography, Anne’s shockingly fast fall from grace was largely engineered by Thomas Cromwell, a rather plain and overweight Putney-born man in his fifties whose intelligence and daring had made him the king’s closest advisor." The articles goes on further to say that "Borman has scoured the sources to explore the life and personality of the man who in effect created the break from the Church of Rome and her book is an impressive investigation into one of our most elusive characters in history."

This was in comparison to Hilary Mantle's "Wolf Hall" (2009) and "Bring Up The Bodies" (2012) (and the third, soon to be released book in the trilogy - "The Mirror & The Light") whom the same article says "Hilary Mantel’s crafting of Cromwell in her bestselling novels has been a triumph: sensitive, intellectual, brutal, strong. "

For many, however, Thomas Cromwell was not particularly well-known until Hilary Mantel’s best-selling novels (and the series based upon them) brought this protagonist to wider public attention. The Independent article goes further to say: "But the publishers have given Tracy Borman’s biography of Thomas Cromwell an unfortunate subtitle: “The untold story of Henry VIII’s most faithful servant.” It is no such thing. Besides Ms. Mantel’s fictional versions, Ms. Borman lists 10 previous lives of Cromwell in her bibliography."

And well she may - and here are a few worthy tomes to consider:
  • "Thomas Cromwell: Servant to Henry VIII (2013) by David Loades
  • "Thomas Cromwell: The Rise And Fall Of Henry VIII's Most Notorious Minister" (2012) by Robert Hutchinson
  • "The Rise and Fall of Thomas Cromwell: Henry VIII's Most Faithful Servant" (2011) by John Schofield
  • "Thomas Cromwell" (2013) by J Patrick Coby
  • "The Rise of Thomas Cromwell: Power and Politics in the Reign of Henry VIII, 1485-1534" (2015) by Michael Everette
  • "Life and Letters of Thomas Cromwell" - 6vols (2000) by Roger Bigelow Merriman
  • "The Crown and the Cross: A Biography of Thomas Cromwell" (1950) by Theodore Maynard
  • "Thomas Cromwell: Tudor Minister" by B. W. Beckingsale (1978)
  • "The Character and Times of Thomas Cromwell: A Sixteenth Century Criticism" (1887) by Arthur Howard Galton
  • "Thomas Cromwell" (1991) by Geoffrey Rudolph Elton
  • "Policy and Police: The Enforcement of the Reformation in the Age of Thomas Cromwell" (1985) by G. R. Elton 

There are indeed numerous books on the English Reformation, the Dissolution of the Monasteries, and the Reign of Henry VIII in which Thomas Cromwell plays a role not consigned to the shadows.

Further readings & reviews: