Review: Tokyo Zodiac Murders by Soji Shimada

Synopsis: Astrologer, fortuneteller, and self-styled detective Kiyoshi Mitarai must in one week solve a mystery that has baffled Japan for 40 years. Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, the supreme woman? 

With maps, charts, and other illustrations, this story of magic and illusion, pieced together like a great stage tragedy, challenges the reader to unravel the mystery before the final curtain. The Tokyo Zodiac Murders joins a new wave of Japanese murder mysteries being translated into English.

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It is 1979, and amateur detectives and friends Kazumi Ishioka and Kiyoshi Mitarai, investigate a baffling series of murders that was said to have occurred some forty years prior. Going back through events and documentary evidence, these two slowly piece together the mystery before the actual denouement is made by a surprising narrator.

A little bit long-winded for my liking but an intriguing and puzzling mystery none-the-less, and one that will keep the sharpest minds engaged.

Review: Murder at the Black Cat Cafe by Seishi Yokomizo

Synopsis: Tokyo, 1947. The Pink Labyrinth is one of the bomb-scarred city's most shady neighbourhoods. There, in the dead of night a patrolling policeman catches a young Buddhist monk digging in the back yard of The Black Cat Cafe, a notorious brothel. In the shallow grave at his feet lie the dead body of a woman, her face disfigured beyond recognition, and the corpse of a black cat.

Who is the murdered woman, and how was she connected to the infamous establishment? And where did the dead cat come from, given that the cafe's feline mascot seems to be alive and well? The brilliant sleuth Kosuke Kindaichi investigates, but as he draws closer to the truth, he finds himself in grave danger...

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Murder at the Black Cat Cafe is a short story with an additional short story, Why Did the Well Wheel Creak?, included.

Kosuke Kindaichi, plays a prominent role in the first story - set in urban Tokyo - but has a almost secondary role in the subsequent mystery - set in familiar territory of rural Japan - appearing towards the end for the denouement.

Both stories feature a similar theme of mistaken or assumed identity, family drama, murder, greed, jealousy and rivalry, revenge, love and lust. The first is a "straight" Yokomizo mystery with Kindaichi investigating and the "author" retelling the tale after receiving a series of documents from him. The second is set out through a series of letters written by a sister to her brother, recounting daily events (and her suspicions) whilst he convalesces in a sanatorium.

Both are engaging mysteries, however, I found myself drawn more to the second one possibly as each letter comes with a greater sense or urgency or impending danger, building up the intensity of the narration.

Review: The Man Who Died Seven Times by Yasuhiko Nishizawa

Synopsis: A subversively cozy Japanese murder mystery with an ingenious Groundhog Day twist: a teenager’s time-loop race to solve—and possibly prevent—his grandfather’s murder!

Contemporary Japanese legend Yasuhiko Nishizawa makes his English-language debut with this slick, funny murder mystery which adds a sci-fi twist to an age-old setup: a murder in a wealthy family with an inheritance at stake.

Hisataro, a young member of the wealthy Fuchigami family, has a mysterious ability. Every now and then, against his will, he falls into a time-loop in which he is obliged to re-live the same day a total of 9 times. Little does he know how useful this ability will be, until one day, his grandfather mysteriously dies...

As he returns to the day of the murder time and again, Hisataro begins to unravel its secrets. With a sizeable inheritance up for grabs, motives abound, and everyone is a suspect. Can Hisataro solve the mystery of his grandfather’s death before his powers run out?

Written in a witty, lighthearted voice, this clever and playful book will appeal to fans of both traditional murder mysteries as well as readers of cozy mysteries. It's a delightful treat for fans of the intricate plotting of Agatha Christie, the gentle humor of Richard Osman, and audacious inventiveness of Stuart Turton.

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"The Man Who Died" is very akin to the "The Seven Deaths of Evelyn Hardcastle - a bit of sci-fi time travelling similar to "Groundhog Day".

Mixed feelings. I really wanted to love this and read it through to the end, but was rather bored to be honest. Unlike "Evelyn Hardcastle", the narrator in this one relives each "time" in his own body - so we don't get the different points of view of the events. The "time loops" are an opportunity or mechanism in this instance, for the narrator to interrogate / investigate each individual suspect and to ultimately solve the mystery.

However, just not engaged with this one unfortunately though others will devour this with eagerness.

Review: The Labyrinth House Murders by Yukito Aatsuji

Synopsis: Miyagaki Yōtarō is one of Japan's most famed mystery writers, but several years ago he put down his pen and left the Tokyo literary world for a life of seclusion in the remote Labyrinth House, built by the notorious architect Nakamura Seiji. When four of the country's most exciting up-and-coming crime writers are invited to the house for Yōtarō's birthday party, they are honoured to accept. But no sooner have they arrived than they are confronted with a shocking death, then lured into a bizarre, deadly competition with each other...

As the competition proceeds, and murder follows murder, the brilliant Kiyoshi Shimada investigates. Can he solve the mystery of the house before all those trapped in its labyrinth are dead? And can you guess the solution before he does?

This is the third stand-alone book from the author of Decagon House Murders and Mill House Murders

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"... let the game of detection begin ..."

Four authors and a few other notable guests, are drawn to the mysterious Labyrinth House by its owner, famed author Miyagaki Yotaro.  His intent: to find a worthy successor to himself (and a substantial inheritance and writing kudos for the winner) after conducting a writing competition, to be judged at the conclusion.

However, shortly after arriving - a murder is announced - that of their host. Though shocked at this news, the writers are determined to proceed with their late host's wishes - afterall, a large inheritance is nothing to be sniffed at. However, things soon turn even deadlier as one author after another is found murdered ......

Kiyoshi Shimada leads the investigation, as the house's architect is revealed to be none other than Nakamura Seiji (creator of the Decagon House and the Mill House from previous books). This discovery sends Shimada on a new course of investigation - with plot twists and teasing reveals ultimately disclosing both the murderer and their motive.

However ..... that is never the true ending as an even more clever reveal follows, with Shimada having the final word.

Wonderful storytelling from Yukito Ayatsuji, who leads the reader into the labyrinth that is the author's own creative narrative, leaving them there, like his characters,  to solve the puzzle and find their own way out.

Review: The Little Sparrow Murders by Seishi Yokomizo

Synopsis: An old friend of Kosuke Kindaichi's invites the scruffy detective to visit the remote mountain village of Onikobe in order to look into a twenty-year-old murder case. But no sooner has Kindaichi arrived than a new series of murders strikes the village - several bodies are discovered staged in bizarre poses, and it soon becomes clear that the victims are being killed using methods that match the lyrics of an old local children's song...

The legendary sleuth investigates, but soon realises must unravel the dark and tangled history of the village, as well as that of its rival families, to get to the truth.

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This is the sixth in the Kosuke Kindaichi series that have been translated and re-issued; and my engagement with each new (old) release never wanes.

It is a child's nursery rhyme that will aid Kindaichi in solving not only a twenty year murder mystery but the current one that links back to the original. As usual, family secrets, jealousies and rivalries drive the narrative and slowly come to the fore as we discover connections between the victims and their families.

Yokomizo is the master at weaving an intricate and devilish plots, whilst ensuring the reader is immersed in both scenery and culture, to the point that they feel like they are literally following in the footsteps of our detective, Kindaichi.

Hasegawa Hiroki as Konsuke Kindaichi

As always, I am looking forward to the next release from Pushkin Press (Murder at the Black Cat Cafe) - and cannot recommend this series enough.

Review: The Devil's Flute Murders by Seishi Yokomizo

Synopsis: Locked room mysteries are hot again, and this classic from the golden age of crime presents a mind-bending Japanese mystery from the great Seishi Yokomizo, whose fictional detective Kosuke Kindaichi is a pop culture phenomenon akin to Sherlock Holmes.

This time the beloved scruffy sleuth Kosuke Kindaichi investigates a series of gruesome murders within the feuding family of a brooding, troubled composer, whose most famous work chills the blood of all who hear it.

Readers will be totally engrossed by one of Yokomizo’s most clever guessing games, in which everyone has something to hide…

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The style is fairly consistent - and one the author Seishi Yolomizo explores well - deep, dark family secrets, which when brought into open, give birth to jealousy, greed and ultimately ... murder. And here again, we have all those elements: a family saga of love and hate, revenge and redemption; many suspects but always one whom you are least likely to suspect; a suspenseful mystery, tied together by a long narrative that conveys the essence of the story, location and characters to perfection. This is Yokomizo's trademark.

In this instance we have a mysterious disappearance, a locked room murder mystery, a jewel robbery, and the haunting and ominous tones of a flute. All set in post WWII Japan. And at the centre of it all is our sleuth - Ko suke Kindaichi.

I cannot recommend this series enough, with our detective, Kindaichi, who according to the local policeman, looks more like a criminal than a world famous detective and is a indolent as a cat when not on a case!

See my other reviews of the books of Seishi Yokomizo.

Yukio Mishima: The strange tale of Japan’s infamous novelist

From BBC Culture:

The theatrical life and death 50 years ago of one of Japan’s most celebrated and controversial authors created an enduring – but troubling myth, writes Thomas Graham.

Standing on a balcony, as if on stage, the small, immaculate figure appeals to the army assembled below. The figure is Yukio Mishima, real name Kimitake Hiraoka. He was Japan’s most famous living novelist when, on 25 November 1970, he went to an army base in Tokyo, kidnapped the commander, had him assemble the garrison, then tried to start a coup. He railed against the US-backed state and constitution, berated the soldiers for their submissiveness and challenged them to return the Emperor to his pre-war position as living god and national leader. The audience, at first politely quiet, or just stunned into silence, soon drowned him out with jeers. Mishima stepped back inside and said: “I don’t think they heard me.” Then he knelt down and killed himself by seppuku, the Samurai’s ritual suicide.

Mishima’s death shocked the Japanese public. He was a literary celebrity, a macho and provocative but also rather ridiculous character, perhaps akin to Norman Mailer in the US, or Michel Houellebecq in today’s France. But what had seemed to be posturing had suddenly become very real. It was the morning of the opening of the 64th session of the Diet, Japan’s parliament, and the Emperor himself was present. The prime minister’s speech on the government agenda for the coming year was somewhat overshadowed. No one had died by seppuku since the last days of World War Two.

read more here @ BBC Culture