Review: Tokyo Zodiac Murders by Soji Shimada

Synopsis: Astrologer, fortuneteller, and self-styled detective Kiyoshi Mitarai must in one week solve a mystery that has baffled Japan for 40 years. Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, the supreme woman? 

With maps, charts, and other illustrations, this story of magic and illusion, pieced together like a great stage tragedy, challenges the reader to unravel the mystery before the final curtain. The Tokyo Zodiac Murders joins a new wave of Japanese murder mysteries being translated into English.

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It is 1979, and amateur detectives and friends Kazumi Ishioka and Kiyoshi Mitarai, investigate a baffling series of murders that was said to have occurred some forty years prior. Going back through events and documentary evidence, these two slowly piece together the mystery before the actual denouement is made by a surprising narrator.

A little bit long-winded for my liking but an intriguing and puzzling mystery none-the-less, and one that will keep the sharpest minds engaged.

Review: Murder at the Black Cat Cafe by Seishi Yokomizo

Synopsis: Tokyo, 1947. The Pink Labyrinth is one of the bomb-scarred city's most shady neighbourhoods. There, in the dead of night a patrolling policeman catches a young Buddhist monk digging in the back yard of The Black Cat Cafe, a notorious brothel. In the shallow grave at his feet lie the dead body of a woman, her face disfigured beyond recognition, and the corpse of a black cat.

Who is the murdered woman, and how was she connected to the infamous establishment? And where did the dead cat come from, given that the cafe's feline mascot seems to be alive and well? The brilliant sleuth Kosuke Kindaichi investigates, but as he draws closer to the truth, he finds himself in grave danger...

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Murder at the Black Cat Cafe is a short story with an additional short story, Why Did the Well Wheel Creak?, included.

Kosuke Kindaichi, plays a prominent role in the first story - set in urban Tokyo - but has a almost secondary role in the subsequent mystery - set in familiar territory of rural Japan - appearing towards the end for the denouement.

Both stories feature a similar theme of mistaken or assumed identity, family drama, murder, greed, jealousy and rivalry, revenge, love and lust. The first is a "straight" Yokomizo mystery with Kindaichi investigating and the "author" retelling the tale after receiving a series of documents from him. The second is set out through a series of letters written by a sister to her brother, recounting daily events (and her suspicions) whilst he convalesces in a sanatorium.

Both are engaging mysteries, however, I found myself drawn more to the second one possibly as each letter comes with a greater sense or urgency or impending danger, building up the intensity of the narration.

Review: Murder in the House of Omari by Taku Ashibe

Synopsis: Osaka, 1943: as the Second World War rages and American bombers rain death down upon the city, the once prosperous Omari family is already in decline, financially ruined by the terrible conflict. Then the household is struck by a series of gruesome murders.

Can anyone solve the mystery of these baffling slayings before the Omari line is extinguished entirely? To do so, and unravel the killer's fiendish plot, they will have to delve into the family's past, where a dark and deadly secret has been festering for decades...

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To be perfectly honest I was not a fan of this one. I had to have a serious think about this one before putting pen to paper a it were.

Even for Japanese crime fiction, this book was excrutiatingly long winded with a snaking narrative that when it finally gets to the point, doubles back on itself, becoming long winded and snaking yet again.

I did enjoy facets of the book - the family dynamics and historical content, but felt my interest waning as the pathway to the conclusion became lost.

I am sure many other will enjoy this - and I will continue to champion Japanese crime fiction as I have grown to love it.

Review: The Labyrinth House Murders by Yukito Aatsuji

Synopsis: Miyagaki Yōtarō is one of Japan's most famed mystery writers, but several years ago he put down his pen and left the Tokyo literary world for a life of seclusion in the remote Labyrinth House, built by the notorious architect Nakamura Seiji. When four of the country's most exciting up-and-coming crime writers are invited to the house for Yōtarō's birthday party, they are honoured to accept. But no sooner have they arrived than they are confronted with a shocking death, then lured into a bizarre, deadly competition with each other...

As the competition proceeds, and murder follows murder, the brilliant Kiyoshi Shimada investigates. Can he solve the mystery of the house before all those trapped in its labyrinth are dead? And can you guess the solution before he does?

This is the third stand-alone book from the author of Decagon House Murders and Mill House Murders

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"... let the game of detection begin ..."

Four authors and a few other notable guests, are drawn to the mysterious Labyrinth House by its owner, famed author Miyagaki Yotaro.  His intent: to find a worthy successor to himself (and a substantial inheritance and writing kudos for the winner) after conducting a writing competition, to be judged at the conclusion.

However, shortly after arriving - a murder is announced - that of their host. Though shocked at this news, the writers are determined to proceed with their late host's wishes - afterall, a large inheritance is nothing to be sniffed at. However, things soon turn even deadlier as one author after another is found murdered ......

Kiyoshi Shimada leads the investigation, as the house's architect is revealed to be none other than Nakamura Seiji (creator of the Decagon House and the Mill House from previous books). This discovery sends Shimada on a new course of investigation - with plot twists and teasing reveals ultimately disclosing both the murderer and their motive.

However ..... that is never the true ending as an even more clever reveal follows, with Shimada having the final word.

Wonderful storytelling from Yukito Ayatsuji, who leads the reader into the labyrinth that is the author's own creative narrative, leaving them there, like his characters,  to solve the puzzle and find their own way out.

Review: The Black Swan Mystery by Tetsuya Ayukawa

Synopsis: Early one morning, the owner of a local mill is found lying next to the railway tracks just outside of Kuki Station. Suspicion initially falls on the workers' union, with whom the man had been embroiled in a labour dispute, then on a new religious sect that has been gaining followers recently.

Chief Inspector Onitsura and his assistant Tanna are called in to investigate, and soon set off in a journey across Japan, from Tokyo to Kyoto and Osaka, and finally to the island of Kyūshu, in a hunt for the killer. But as they investigate, the killer strikes again, and again. Will they be able to catch the murderer before even more people are slain?

Fans of Agatha Christie’s 4.50 from Paddington and Seicho Matsumoto’s Tokyo Express will delight in the devious twists and turns of The Black Swan Mystery, as well as in the characterisation and portrait of 1960s Japan.

The author, Tetsuya Ayukawa, is considered to be the master of alibi deconstruction mysteries–a talent that is on full display in this brilliant classic railway murder mystery, which won the prestigious Japanese Detective Writers Club Prize.

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I have been enjoying a range of Japanese crime mysteries, however, I felt that this particular one was okay. It is very detail orientated around trains and train timetables. The prime detectives, Onitsura and Tanna, seem to be merely secondary to events, coming late into the novel, which is initially dominated by Inspector Sudo and Constable Seki.

There is, of course, the inevitable twist in the narrative, and the murderer confesses in their own way, explaining to their audience, the hows, whys and wherefores.  This I did enjoy!

Japanese crime novels, well at least the ones I have read, tend to be long drawn out affairs, detailing both the social and cultural aspects of the people and places, as well as the investigation - sometimes it feels as if each moment of each day is being documented for the reader. Is this just a quirk of the writers of this genre? Perhaps.

Nothing groundbreaking - an enjoyable, if somewhat dry, read.

Review: The Little Sparrow Murders by Seishi Yokomizo

Synopsis: An old friend of Kosuke Kindaichi's invites the scruffy detective to visit the remote mountain village of Onikobe in order to look into a twenty-year-old murder case. But no sooner has Kindaichi arrived than a new series of murders strikes the village - several bodies are discovered staged in bizarre poses, and it soon becomes clear that the victims are being killed using methods that match the lyrics of an old local children's song...

The legendary sleuth investigates, but soon realises must unravel the dark and tangled history of the village, as well as that of its rival families, to get to the truth.

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This is the sixth in the Kosuke Kindaichi series that have been translated and re-issued; and my engagement with each new (old) release never wanes.

It is a child's nursery rhyme that will aid Kindaichi in solving not only a twenty year murder mystery but the current one that links back to the original. As usual, family secrets, jealousies and rivalries drive the narrative and slowly come to the fore as we discover connections between the victims and their families.

Yokomizo is the master at weaving an intricate and devilish plots, whilst ensuring the reader is immersed in both scenery and culture, to the point that they feel like they are literally following in the footsteps of our detective, Kindaichi.

Hasegawa Hiroki as Konsuke Kindaichi

As always, I am looking forward to the next release from Pushkin Press (Murder at the Black Cat Cafe) - and cannot recommend this series enough.