Review: Murder at the Black Cat Cafe by Seishi Yokomizo

Synopsis: Tokyo, 1947. The Pink Labyrinth is one of the bomb-scarred city's most shady neighbourhoods. There, in the dead of night a patrolling policeman catches a young Buddhist monk digging in the back yard of The Black Cat Cafe, a notorious brothel. In the shallow grave at his feet lie the dead body of a woman, her face disfigured beyond recognition, and the corpse of a black cat.

Who is the murdered woman, and how was she connected to the infamous establishment? And where did the dead cat come from, given that the cafe's feline mascot seems to be alive and well? The brilliant sleuth Kosuke Kindaichi investigates, but as he draws closer to the truth, he finds himself in grave danger...

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Murder at the Black Cat Cafe is a short story with an additional short story, Why Did the Well Wheel Creak?, included.

Kosuke Kindaichi, plays a prominent role in the first story - set in urban Tokyo - but has a almost secondary role in the subsequent mystery - set in familiar territory of rural Japan - appearing towards the end for the denouement.

Both stories feature a similar theme of mistaken or assumed identity, family drama, murder, greed, jealousy and rivalry, revenge, love and lust. The first is a "straight" Yokomizo mystery with Kindaichi investigating and the "author" retelling the tale after receiving a series of documents from him. The second is set out through a series of letters written by a sister to her brother, recounting daily events (and her suspicions) whilst he convalesces in a sanatorium.

Both are engaging mysteries, however, I found myself drawn more to the second one possibly as each letter comes with a greater sense or urgency or impending danger, building up the intensity of the narration.

Review: The Little Sparrow Murders by Seishi Yokomizo

Synopsis: An old friend of Kosuke Kindaichi's invites the scruffy detective to visit the remote mountain village of Onikobe in order to look into a twenty-year-old murder case. But no sooner has Kindaichi arrived than a new series of murders strikes the village - several bodies are discovered staged in bizarre poses, and it soon becomes clear that the victims are being killed using methods that match the lyrics of an old local children's song...

The legendary sleuth investigates, but soon realises must unravel the dark and tangled history of the village, as well as that of its rival families, to get to the truth.

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This is the sixth in the Kosuke Kindaichi series that have been translated and re-issued; and my engagement with each new (old) release never wanes.

It is a child's nursery rhyme that will aid Kindaichi in solving not only a twenty year murder mystery but the current one that links back to the original. As usual, family secrets, jealousies and rivalries drive the narrative and slowly come to the fore as we discover connections between the victims and their families.

Yokomizo is the master at weaving an intricate and devilish plots, whilst ensuring the reader is immersed in both scenery and culture, to the point that they feel like they are literally following in the footsteps of our detective, Kindaichi.

Hasegawa Hiroki as Konsuke Kindaichi

As always, I am looking forward to the next release from Pushkin Press (Murder at the Black Cat Cafe) - and cannot recommend this series enough.

Review: The Devil's Flute Murders by Seishi Yokomizo

Synopsis: Locked room mysteries are hot again, and this classic from the golden age of crime presents a mind-bending Japanese mystery from the great Seishi Yokomizo, whose fictional detective Kosuke Kindaichi is a pop culture phenomenon akin to Sherlock Holmes.

This time the beloved scruffy sleuth Kosuke Kindaichi investigates a series of gruesome murders within the feuding family of a brooding, troubled composer, whose most famous work chills the blood of all who hear it.

Readers will be totally engrossed by one of Yokomizo’s most clever guessing games, in which everyone has something to hide…

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The style is fairly consistent - and one the author Seishi Yolomizo explores well - deep, dark family secrets, which when brought into open, give birth to jealousy, greed and ultimately ... murder. And here again, we have all those elements: a family saga of love and hate, revenge and redemption; many suspects but always one whom you are least likely to suspect; a suspenseful mystery, tied together by a long narrative that conveys the essence of the story, location and characters to perfection. This is Yokomizo's trademark.

In this instance we have a mysterious disappearance, a locked room murder mystery, a jewel robbery, and the haunting and ominous tones of a flute. All set in post WWII Japan. And at the centre of it all is our sleuth - Ko suke Kindaichi.

I cannot recommend this series enough, with our detective, Kindaichi, who according to the local policeman, looks more like a criminal than a world famous detective and is a indolent as a cat when not on a case!

See my other reviews of the books of Seishi Yokomizo.

Review: Death on Gokumon Island by Seishi Yokomizo

Synopsis: Kosuke Kindaichi arrives on the remote Gokumon Island bearing tragic news – the son of one of the island’s most important families has died, on a troop transport ship bringing him back home after the Second World War. But Kindaichi has not come merely as a messenger – with his last words, the dying man warned that his three step-sisters’ lives would now be in danger. The scruffy detective is determined to get to the bottom of this mysterious prophesy, and to protect the three women if he can.

As Kosuke Kindaichi attempts to unravel the island’s secrets, a series of gruesome murders begins. He investigates, but soon finds himself in mortal danger from both the unknown killer and the clannish locals, who resent this outsider meddling in their affairs.

Loosely inspired by Agatha Christie’s And Then There Were None, the fiendish Death on Gokumon Island is perhaps the most highly regarded of all the great Seishi Yokomizo’s classic Japanese mysteries.

For those unfamiliar with this series, it is about time that you invest in it. You can find the full list HERE - included those few that have been translated into English.

The style is fairly consistent - and one the author Seishi Yolomizo explores well - deep, dark family secrets, which when brought into open, give birth to jealousy, greed and ultimately ... murder. And here again, we have all those elements: a family saga of love and hate, revenge and redemption; many suspects but always one whom you are least likely to suspect; a suspenseful mystery, tied together by a long narrative that conveys the essence of the story, location and characters to perfection.  This is Yokomizo's trademark.

Kato-sensei as Kindaichi

This time, the grisly deaths appear to form some sort of dramatic countenance - and Kosuke is said to have remarked: "... The inhabitants of this island, do they all think this way - as if everything's like some kind of drama ..."

Throw into this murderous mix some pirates, returned and repatriated servicemen, local politics and scandal, and you have all the ingredients for a truly satisfying murder mystery.

I cannot recommend this series enough, with our detective, Kindaichi, who according to the local policeman, looks more like a criminal than a world famous detective!

Review: The Village of Eight Graves by Seishi Yokomizo

Synopsis: The third title in Japan’s most popular murder mystery series — after The Honjin Murders and The Inugami Curse — fiendish classics featuring investigator Kosuke Kindaichi.

Nestled deep in the mist-shrouded mountains, The Village of Eight Graves takes its name from a bloody legend: in the Sixteenth Century eight samurais, who had taken refuge there along with a secret treasure, were murdered by the inhabitants, bringing a terrible curse down upon their village.

Centuries later a mysterious young man named Tatsuya arrives in town, bringing a spate of deadly poisonings in his wake. The inimitably scruffy and brilliant Kosuke Kindaichi investigates.

I cannot begin to say how much I am loving this series featuring the stuttering, dishevelled, shaggy-haired Japanese detective, Kosuke Kindaichi.  A long-time hit in Japan, but barely discovered here in the West until now, thanks to Pushkin Vertigo.  This is my third Kindaichi novel, having previously read The Honjin Murders and The Inugami Curse, so I literally jumped at the chance to read this one.

It is a slightly familiar format, and one the author Seishi Yolomizo explores well - deep, dark family secrets, which when brought into open, give birth to jealousy, greed and ultimately ... murder.  And here we have all those elements: a family saga of love and hate, revenge and redemption; many suspects but always one whom you are least likely to suspect; a suspenseful mystery, tied together by a long narrative that conveys the essence of the story, location and characters to perfection.

However, in this particular novel, the story begins much earlier - in the 1560s - with the murder of a group of samurai, a missing treasure and a curse.  Events rear their ugly head in the 1920s with the descendants of the village succumbing to the ancient curse.  By the time our story takes place (ie: 1940s), the village has become incredibly insular, and its villagers both suspicious and superstitious of everyone and everything. When events start to unravel along historic lines with the arrival of Tatsuya, the villagers can not but look to the past for an explanation.

In an interview published in The Guardian, Yokomizo's grandson On Nomoto, said: “Kindaichi tries to find out not just how someone has been killed but why it happened. And behind the story, it’s always connected to Japanese history.”

In the same article, Daniel Seton from Pushkin says of Yokomizo's novels: “It has all the ingredients that thrill fans of golden-age British and American mysteries ...... an old country house, a feuding family, mysterious noises in the night, a macabre murder and a brilliant sleuth with an ingenious solution. It’s also steeped in a distinctively Japanese atmosphere, and is packed full of playful references to the classics and traditions of crime writing.”

I love the character of Kosuke Kindaichi - a Japanese Columbo if you are wanting a comparison.  Kindaichi is portrayed as being slightly eccentric, wearing a robe and trousers that have seen better days, as well as having bad dandruff. He also gets easily stressed and excitable, which brings on his stuttering. And yet beneath all of the yokel-like exterior, is an exceedingly clever detective.  It goes to show that you should never judge a book by its cover (though Yokomizo's are fabulous!).

From what I can find, the next Kindaichi novel to be released is the fiendishly clever "Gokumon Island" said to be loosely inspired by Agatha Christie's And Then There Were None.  Perhaps the most highly regarded of all the great Seishi Yokomizo's classic Japanese mysteries, this novel is due for release in June 2022.  This particular novel was translated by Bryan Karetnyk .

Pushkin Vertigo have release 35 mysteries from various international writers - and I have read 25 of them!  You can find the list HERE. Yokomizo is featured among many incredible writers - I cannot but suggest the reader delve into these mysteries for themselves.

More on Kindaichi here 

@ The Thrilling Detective website

@ Black Hole Reviews

Review: The Inugami Curse by Seishi Yokomizo

Synopsis: In 1940s Japan, the wealthy head of the Inugami Clan dies, setting off a chain of bizarre, gruesome murders. Detective Kindaichi must unravel the clan’s terrible secrets of forbidden liaisons, monstrous cruelty, and disguised identities to find the murderer.

After reading the Honjin Murders back in March, I was excited to receive a review copy of another Kosuke Kindaichi mystery. However, this does not directly follow the first in fact it is number six in the series, but the second only to have been translated into English (nothing is lost in the translation!).

Events are set roughly around 1947 - after the second world war - and involve a prominent Nasu family. Following the death of the patriarch, the reading of his will (with its very special conditions) plunges the family into a "series of bloody murders". Kindaichi is on the spot and is involved in the investigation from the very beginning.

To say the family is disfunctional would be an understatement - petty jealousies, long concealed secrets, simmering hatreds, questionable motives, a gruesome deaths - all provide a deliciously deceptive narrative, with more red herrings than a Dr Seuss book.  Don't worry if you lose track, Kindaichi provides a brief summary of his discoveries about two thirds of the way through.

As I mentioned in my review of the Honjin Murders, I do hope that more of Yokomizo's Kindaichi series are translated and released.

Side note: another reviewer mentioned the movie version. I tracked it down (the 1976 version at least) on youtube - loved it!.

Review: The Honjin Murders by Seishi Yokomizo

Synopsis: In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour – it seems a sinister masked man has been asking questions about the Ichiyanagis around the village.

Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music – death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house. The murder seems impossible, but amateur detective Kosuke Kindaichi is determined to get to the bottom of it.

This setting, in 1930s Japan, sees a seemingly impossible double murder committed on the night of a wedding. Whilst the police investigate, one of the wedding guests calls in the services of renown private detective Kosuke Kindaichi who is described as ".. ungainly [in] manner, wild, [with] dishevelled hair and a stammer..." and man who ".. enjoyed putting on a show ..". All of this conceals razor sharp deduction skills that enable Kindaichi to solve the seemingly impossible crimes.

As we are propelled along with the investigation, Kindaichi seemingly takes over and many clues come to light and mysteries are solved. The final denoument occurs about three quarters of the way in and is covered off in the last few chapters.

Another theme running through this book was that of the class system that dominated Japanese society and culture at the time. There are many references to the feudal Edo society with its strict social stratification, customs, and regulations. Japanese people were assigned into a hierarchy of social classes based on the Four Occupations that were hereditary. The Emperor of Japan and the kuge were the official ruling class of Japan but had no power. The Shōgun of the Tokugawa clan, the daimyō, and their retainers of the samurai class administered Japan through their system of domains. Bu the majority of Edo society were commoners divided into peasant, craftsmen, and merchant classes, and various "untouchable" groups. 

At this time, Japan, like the rest of the world, was coming out of a depression and was becoming militarised as Japanese politics was gradually overtaken by the military with the invasion of Manchuria (1931) and the Japan-China War (1937) the most notable events. Many incidents occurred that undermined the government (coups and assassinations) as ultra-nationalist groups within the military sought to unite the nation under the emperor and introduce economic and social reforms. One by one, new measures were introduced to control and mobilize people, enterprises and resources. Most Japanese firms remained privately-owned but were heavily regulated to contribute to the war effort. Toward the end of the war, in order to boost heavy industries, consumption was greatly squeezed and light industries were suppressed. The textile industry (previously the leading industry of Japan) was virtually eliminated. The people were forced to live without a new supply of clothes and footwear. Steel products in structures and households were stripped as the metal source for building more airplanes and ships. External trade had all but ceased. In the end, the Japanese economy collapsed and defeat was inevitable. 

I am making a point to read more books that have been translated from their original language - and not just detective fiction. In this instance, I was drawn to the "locked door" mystery and was interested to see how this was interpreted.  What I also enjoyed was the reflective beginnings to this tale, told ten years after the fact and utilising facts garnered from the original investigation - so a little bit of back and forth in the timeline. 

For Yokomizo's detective, Kindaichi, this is one of many outings, in fact, there are 80 books featuring the popular detective, Kosuke Kindaichi. Hopefully, we will see many more translated and republished.