Synopsis: Royal murder mysteries never fail to intrigue readers and TV viewers. Here are some of the most haunting and even horrific episodes from the middle ages, based on latest historical research and historiography, and authentic and rare sources, including archaeology and DNA evidence, uncovering wonderful tales of pathos, tragedy, suffering and romance. This is history for specialists and general readers - and sceptics - given the intense media coverage, including TV, and interest in exciting and accessible popular history. The famous and also less well-known mysteries, which may be new to readers, surrounding British Royalty, are included from around the 11th to the 15th centuries.
The murder mysteries show personal and individual tragedy but are also a vehicle for historical analysis. William II - William Rufus - was he murdered or killed accidentally by a 'stray arrow', allowing brother Henry to seize the throne, or was it God's punishment for William's irreligious living and persecution of the church? Or was Edward II murdered at the instigation of Queen Isabella - 'she-wolf of France' - and her lover, Roger Mortimer. who assumed the throne? Did he survive to live peaceably in Italy? Richard II resembled Edward II, as a rather inadequate figure, and was deposed by his rival, Henry IV. Did he die, and if so, was it murder or suicide? Was Edward IV a bigamist? Mystery, if not murder, but wrapped in dynastic rivalry and sex scandal, and usurpation of the throne. The 'Princes in the Tower' and who who killed them if anyone? A beguiling mystery for over 500 years with their usurping uncle Richard III's guilt contested by 'Ricardians'.
I was eager to read this one as I have a number of Tim's books already on my library shelf - and who doesn't love a good mystery.
The mysteries being explored were not unknown to me - in fact I explored one of these mysteries myself in greater depth (death of William II) and the controversy surrounding the "Princes" still captures my imagination even today, after much reading on the matter.
Venning takes each mystery, provides some historical background and context, examines the contemporary accounts, looks at all the players before asking the age old question - cui bono? Who stands, or stood, to gain, and so might have been responsible for it or precipitated the actions of a third party?
Venning directs the readers attention to the existence of "fake news" in medieval times wherein the writer or chronicler is playing to their own agenda and contemporary audience, and as such must be viewed as a potential unreliable source. In fact, as the reader and student of history will know, no source is completely without bias - just because it was written at the time does not necessarily mean it is the most accurate account. Venning even comments that history is but "... a hall of mirrors with distorted reflections .."
Moving on to the mysteries themselves and what we have learned. Well not much really. I was rather disappointed to find that there was no real conclusion one way or the other - no definitive proofs. Venning does not take any particular stance - he explores all aspects of each mystery and just presents us with all the information, evidence and accounts, and leaves it up to the reader to discern what they will from it.
Whilst I will assume (whether rightly or wrongly) that this book is for the consumption of popularist history, I did find the narrative to be rather long-winded, repetitive, and definitely non-linear. I would suggest some fore-knowledge of the subject matter at hand would be appropriate. Overall, I liked it and would probably pick this up again - at a later date.
Also By Author:
- Royal Mysteries: The Anglo-Saxons and Early Britain- The King Arthur Mysteries: Arthur's Britain and Early Medieval World
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