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Again I will preface this by saying that I am not a huge fan of Weir, however, I was interested to see how this would play out with three of the main characters (the Plantagenets: Kate, Edward, Richard) having lived and died long before Katherine Grey came on the scene. There are essentially three stories: Katherine Grey, Kate Plantagenet, and the Princes in the Tower.
After Richard succeeded to the throne Katherine was married to William Herbert, Earl of Huntingdon, (1455-1491) as his second wife. On 29th February, 1484 Herbert covenanted 'to take to wife Dame Katherine Plantagenet, daughter to the King, before Michaelmas of that year'. Richard paid for the wedding and granted the couple an annuity of 400 marks from the lordships of Newport, Brecknok, and Hay on March 3, 1484. They probably lived at Raglan Castle, the Herbert family seat in Monmouthshire.
When Henry Earl of Richmond landed in south Wales in 1485, it is likely that a Herbert sent word to Richard of Henry's landing. William Herbert. however is not recorded as having fought for his father-in-law at Bosworth, though de la Pole quite possibly did. At the coronation of Elizabeth of York in November 1487, William Herbert is referred to as a widower, the marriage is not thought to have produced any children. What happened to Katherine is speculation - though it is commonly thought that she had died prior (she is last mentioned in March 1485), possibly in childbirth.
The only tenuous link between the two women is that both their husbands were, at one point, Earls of Pembroke and both were in close proximity to the throne.
So my thoughts. Unfortunately, I found it rather average. What appeared to me to be two potentially separate stories were merged together with the mystery of the princes binding them together in some strange manner. The different narratives - first person for Katherine, third for Kate - does not really work and was at times unclear in its direction. The addition of the "supernatural" element (supposedly binding both women together through history) merely creates a fog over the narrative and lends itself to confusion. Then Weir trots out her standard anti-Richard bias.
I did like Weir's portrayal of Elizabeth's nastier side - people tend to forget that she was a jealous and vindictive woman, only seeing her as Gloriana. That was a refreshing change and the one upside.
So for me, this was average novel from Weir. Just because she has written much on the era does not make what she writes as the gospel truth or perfect, there is always a great deal of supposition and inference in her works. This was not her best work of fiction - and is really only one for the Tudor fans.
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