Showing posts with label alison weir. Show all posts
Showing posts with label alison weir. Show all posts

Thursday, April 2, 2020

Review: A Dangerous Inheritance by Alison Weir

Synopsis: England's Tower of London was the terrifying last stop for generations of English political prisoners. A Dangerous Inheritance weaves together the lives and fates of four of its youngest and most blameless: Lady Katherine Grey, Lady Jane's younger sister; Kate Plantagenet, an English princess who lived nearly a century before her; and Edward and Richard, the boy princes imprisoned by their ruthless uncle, Richard III, never to be heard from again. Across the years, these four young royals shared the same small rooms in their dark prison, as all four shared the unfortunate role of being perceived as threats to the reigning monarch.


Again I will preface this by saying that I am not a huge fan of Weir, however, I was interested to see how this would play out with three of the main characters (the Plantagenets: Kate, Edward, Richard) having lived and died long before Katherine Grey came on the scene. There are essentially three stories: Katherine Grey, Kate Plantagenet, and the Princes in the Tower.

I will start with Kate Plantagenet, illegitimate daughter of Richard III, and of whom very little by way of fact is known, especially of her childhood. Could she have known John de la Pole, Earl of Lincoln, with whom she was said to have had a relationship with in the novel? It is possible that she knew him if she was living in the household of her uncle as following the death of Richard's own son Edward, first Edward of Warwick then John de la Pole became his nominated heir. As both Edward and John were nephews of Richard, would he have counternounced a relationship between his own daughter (illegitimate or not) and his nephew and heir?. 

After Richard succeeded to the throne Katherine was married to William Herbert, Earl of Huntingdon, (1455-1491) as his second wife. On 29th February, 1484 Herbert covenanted 'to take to wife Dame Katherine Plantagenet, daughter to the King, before Michaelmas of that year'. Richard paid for the wedding and granted the couple an annuity of 400 marks from the lordships of Newport, Brecknok, and Hay on March 3, 1484. They probably lived at Raglan Castle, the Herbert family seat in Monmouthshire.

When Henry Earl of Richmond landed in south Wales in 1485, it is likely that a Herbert sent word to Richard of Henry's landing. William Herbert. however is not recorded as having fought for his father-in-law at Bosworth, though de la Pole quite possibly did. At the coronation of Elizabeth of York in November 1487, William Herbert is referred to as a widower, the marriage is not thought to have produced any children. What happened to Katherine is speculation - though it is commonly thought that she had died prior (she is last mentioned in March 1485), possibly in childbirth.

Now to Katherine Grey - one of the famous Grey sisters, the others being Jane and Mary; all granddaughters of Henry VIII"s sister, Mary. Katherine was initially wed to Henry, Lord Herbert, the son of the Earl of Pembroke (1553) - however when the plot to put Jane on the throne failed, this marriage was annulled and she was returned to her family (1554). She and her sister Mary were, at one stage, considered as potential heirs to their cousin, Elizabeth I of England. However, Katherine incurred the wrath of Elizabeth by secretly marrying (1560) Edward Seymour, 1st Earl of Hertford (it was forbidden to marry without the Queen's consent - it was considered treason to do so). Arrested (c.1561) after the Queen was informed of their clandestine marriage, Katherine was confined to a life in captivity until her death (1568), having borne two sons in the Tower of London.

The only tenuous link between the two women is that both their husbands were, at one point, Earls of Pembroke and both were in close proximity to the throne.  


So my thoughts.  Unfortunately, I found it rather average.  What appeared to me to be two potentially separate stories were merged together with the mystery of the princes binding them together in some strange manner.    The different narratives - first person for Katherine, third for Kate - does not really work and was at times unclear in its direction.  The addition of the "supernatural" element (supposedly binding both women together through history) merely creates a fog over the narrative and lends itself to confusion.  Then Weir trots out her standard anti-Richard bias.

Did either of women embark on a search for the truth behind the "princes in the tower" mystery?  Highly unlikely as I think both would have been more focused on their own survival in what were periods of great uncertainty.  Her handling of the paranormal component was not done well - she could easily have left Kate Plantagenet out of it altogether, the story may have flowed a bit better. And I question whether Katherine Grey would have even considered that Richard was innocent of the crimes landed at his doorstep, if indeed she gave any  thought to this at all.

I did like Weir's portrayal of Elizabeth's nastier side - people tend to forget that she was a jealous and vindictive woman, only seeing her as Gloriana. That was a refreshing change and the one upside.

So for me, this was average novel from Weir.  Just because she has written much on the era does not make what she writes as the gospel truth or perfect, there is always a great deal of supposition and inference in her works. This was not her best work of fiction - and is really only one for the Tudor fans. 

Monday, April 30, 2018

Review: The Lost Tudor Princess by Alison Weir

The Lost Tudor Princess: The Life of Lady Margaret Douglas
Why do I keep giving Weir chance after chance. Yet another 500 plus pages of history lessons replacing much lacking fact. Another case of quantity over quality.

Margaret Douglas, Countess of Lennox, mother of Darnley and mother-in-law of Mary Queen of Scots - yes, a lost Tudor princess; yes, a woman whose life deserves the spotlight; yes, another case where fact is more interesting than fiction. A woman whose life reveals to us very little - and yet - 500 plus pages!

I have said this over and over - I would rather 100 pages of what is known rather than 500 pages of boring, rehashed history, personal opinion, and filling in the gaps with dates and documents. As I stated in my review of Weir's "Elizabeth of York" - "I am trying very hard to fathom the amount of actual information there is on Elizabeth that was worthy of 600 odd pages - quite frankly it required barely a quarter in my opinion. The larger the book ... overcompensating for a distinct lack of anything else.". The same can be said, I am sorry to say, of this tome on Margaret Douglas.


Sunday, December 31, 2017

Review: Queens of the Conquest by Alison Weir.


"Saga of England's medieval Queens is vivid and stirring, packed with tragedy, high drama, and even comedy. It is a chronicle of love, passion, high intrigue, murder, war, treason, betrayal and sorrow, peopled by a cast of heroines, villains, amazons, stateswomen, adulteresses and lovers."

Weir claims her aim in writing this tome was to strip away the "romantic mythology and legends" - and yet each chapter has its own flowery title. She also claims that it is "not an academic history but a narrative of the times" - and yes it is.

What I actually found was an attempt at updating Agnes Strickland's "Lives of the Queens of England" (pub 1840s) - and there is nothing wrong in that (I have also read Strickland's works), and as more information comes to hand, research quite naturally is updated. Having said that, sometimes when one reads a new work, one has a sense of deja vu.

This tome encompasses the women of the early Norman period: Matilda of Flanders, Matilda of Scotland, Adeliza of Louvain, Matilda of Boulogne and Empress Maud - all fascinating women in their own right. Some chapters are longer than others - sometimes, with information is just not there for the author to really delve into the character of these women. There follows the usual sources, letters, bibliography at the end.

Look - an entry level book for the beginner, but nothing new for the purist looking for something with a bit more guts to it.


more about Agnes Strickland here @ wikipedia
more about Alison Weir here @ her website

Sunday, September 17, 2017

Review: The Children of Henry VIII

There are two works of the same name but by different authors - and I have read both.

The Children of Henry VIII by by 

"At his death in 1547, King Henry VIII left four heirs to the English throne: his only son, the nine-year-old Prince Edward; the Lady Mary, the adult daughter of his first wife, Catherine of Aragon; the Lady Elizabeth, the daughter of his second wife, Anne Boleyn, and his young great-niece, the Lady Jane Grey. These are the players in a royal drama that ultimate led to Elizabeth's ascension to the throne--one of the most spectacularly successful reigns in English history."

Weir book focuses on Henry's three legitimate children, Edward VI, Mary I, Elizabeth I, and also Jane Grey - for continuity of reigns.  Its is certainly an extensively researched book, for those who would quite naturally gravitate towards this work, there is nothing outstandingly new presented.  The focus is on the relationships between the siblings rather than any in-depth political treatise, and finishes up with Elizabeth I on the throne.

The Children of Henry VIII by 

"Behind the facade of politics and pageantry at the Tudor court, there was a family drama.  Nothing drove Henry VIII, England's wealthiest and most powerful king, more than producing a legitimate male heir and so perpetuating his dynasty. To that end, he married six wives, became the subject of the most notorious divorce case of the sixteenth century, and broke with the pope, all in an age of international competition and warfare, social unrest and growing religious intolerance and discord. "

Intriguing - yes.  This is not a standard biography of each of Henry's children, but more an intertwining history.  Into this mix is included the often over-looked Henry FitzRoy, which makes for a refreshing change, and was one of the main reasons I picked this up.  However, Guy does not paint a very flattering picture of either of Henry's daughters, not of his wives, which I found a little annoying.   This short tome would be considered more of an entree into the world of the Tudors than anything else.


Sunday, February 19, 2017

Reviews: Alison Weir

Alison Weir is not my favourite author - though the subject matter on which she puts pen to paper is of interest - hence I do make an attempt to remain objective and I do read her works.

Below is a list of links to my reviews of some of the works of Weir that I have read.

The following I did not post a review but will list in order of "star" status:
  • The Six Wives of Henry VIII
  • Mary Queen of Scots & the Murder of Lord Darnely
  • Britain's Royal Families
  • The Wars of the Roses
  • Eleanor of Aquitaine: A Life
  • The Children of Henry VIII
  • Queen Isabella: Treachery, Adultery, and Murder in Medieval England
  • Katherine Swynford
  • A Dangerous Inheritance: A Novel of Tudor Rivals and the Secret of the Tower

So as you can see, I have been quite open in my reading of Weir - I have been more than willing to tackle her works rather than just dismiss any works out of hand.

So, why do I dislike her books (or more a case of her writing style)?? There are a number of reasons, but the following are the ones that stand out the most:

  • waffling on - I often comment about the amount of incidental information being provided to the reader to "fill in the gaps" when there is nothing to write about.  Yes, many of her subject matters have very little written about them so it does make it hard to provide a detailed biography.  Having said that, quality over quantity is my go-to phrase - I would rather have a tome of 100 pages of substance rather than 500 plus pages of rubbish. Note: Weir is not alone in this respect.
  • accuracy - as a student of history, I have come across occasional errors in her works.  Yes, to err is human - sometimes dates and facts can be challenging (and often conflicting in even when comparing contemporary sources).  However, some of the errors are glaringly so.  Add to this the common theme of substituting "fiction" as fact - taking the most obvious myths (or scandalous hearsay) and presenting it as fact with no basis to support said claims (her work on Eleanor of Aquitaine stands out here).
  • personal opinion - Weir often imposing her own opinions as fact where no facts are in evidence.  Whilst personal bias by any author (including those historical sources) can never be totally removed from a study, this author's personal bias is rather in your face.  An objective presentation is a rarity - which leads me to my next point:
  • pet theories - whilst a number of the subjects being tackled have some mystery about them (Edward II, Princes in the Tower), Weir at times take one path to the exclusion of all others.  I found this especially so with "Queen Isabella" - wherein Weir presents one theory as fact above all others. I suggested that the facts of the case should have been presented objectively and then an appendix added outlining the case for all the different theories (it would have made much better reading and would have gained a star or two as a result).
What I did like about Weir was one of her fictional works - "Innocent Traitor" - I thought this was rather good reading and I enjoyed the way the story was presented.

In the meantime, I will keep reading and posting my thoughts on Weir and her works.


Thursday, February 16, 2017

New Alison Weir series on England’s Queens

New Alison Weir series on England’s queens | The Bookseller
Historian Alison Weir is launching an "ambitious" new series this autumn exploring the lives of England’s queens over four centuries "long neglected by historians", from the Norman Conquest to the end of the Wars of the Roses.

The new series, entitled England's Medieval Queens, will comprise four titles, beginning with Queens of the Conquest, coming out in hardback, trade paperback and e-book on 28th September. It will reveal the extraordinarily dramatic lives of the five queens of England in the century after the Norman Conquest, from Matilda of Flanders, who supported William the Conqueror in his invasion of England in 1066, to the life of the Empress Maud, who fought a bitter war to become queen of England in her own right.
The next three books in the series will cover the interconnected lives of England’s queens in the 13th, 14th and 15th centuries.