She has been cited as an inspiration by Stephen King, Donna Tartt, Neil Gaiman and Joanne Harris. Now the American author Shirley Jackson, once memorably described as writing “not with a pen but a broomstick”, is set for a long overdue reappraisal on this side of the Atlantic.
This week sees the release of a new biography, Shirley Jackson: A Rather Haunted Life, swiftly followed by a graphic novel version of her most famous short story, The Lottery, illustrated by her grandson, Miles Hyman, and the publication of Dark Tales, a collection of her most chilling short stories. And the revival does not stop there: next year will see a film of her book We Have Always Lived In The Castle, with rising stars Taissa Farmiga and Alexandra Daddario, alongside Sebastian Stan and Crispin Glover.
In an era when domestic noir reigns at the publishing houses and our thirst for dark tales of women under threat rages unabated, Jackson’s ability to unnerve strikes a chord. “There’s a whole new appreciation today of what it means to be a mother and a writer and how to reconcile those two things,” says Franklin. “We’re also more interested in the lives of women and that in turn has led to a revival of interest in Jackson’s work. I honestly feel as though she’s one of those authors who’s been in the background for a long time, yet has a huge influence on American fiction, and it’s only now that we’re beginning to see how important she is.”
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