Review: Murder at Gull's Nest by Jess Kidd

Synopsis: I believe every one of us at Gulls Nest is concealing some kind of secret.

1954: When her former novice’s dependable letters stop, Nora Breen asks to be released from her vows. Haunted by a line in Frieda’s letter, Nora arrives at Gulls Nest, a charming hotel in Gore-on-Sea in Kent.

A seaside town, a place of fresh air and relaxed constraints, is the perfect place for a new start. Nora hides her identity and pries into the lives of her fellow guests. But when a series of bizarre murders rattles the occupants of Gulls Nest it’s time to ask if a dark past can ever really be left behind.

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Not a fan. No connection whatsoever with either the mystery or characters, especially ex-Nun Nora Breen. Writing style was rather ho-hum for me.  

Review: Eleanore of Avignon by Elizabeth DeLozier

Synopsis: Provence, 1347. Eleanore (Elea) Blanchet is a young midwife and herbalist with remarkable skills. But as she learned the day her mother died, the most dangerous thing a woman can do is draw attention to herself. She attends patients in her home city of Avignon, spends time with her father and twin sister, gathers herbs in the surrounding woods, and dreams of the freedom to pursue her calling without fear.

In a chance encounter, Elea meets Guigo de Chauliac, the enigmatic personal physician to the powerful Pope Clement, and strikes a deal with him to take her on as his apprentice. Under Chauliac’s tutelage she hones her skills as a healer, combining her knowledge of folk medicine with anatomy, astrology, and surgical techniques.

Then, two pieces of earth-shattering news: the Black Death has made landfall in Europe, and the disgraced Queen Joanna is coming to Avignon to stand trial for her husband’s murder. She is pregnant and in need of a midwife, a role only Elea can fill.

The queen’s childbirth approaches as the plague spreads like wildfire, leaving half the city dead in its wake. The people of Avignon grow desperate for a scapegoat and a group of religious heretics launch a witch hunt, one that could cost Elea—an intelligent, talented, unwed woman—everything.

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Narrated in the first person by the main character, Eleanore, events in 14th century France are played out against a backdrop of fear, superstition, religious persecution, plague and papal politics.

Even for historical fiction, I was less than invested in the storyline as both it and the character of Eleanore was far from believable, especially for someone who is well read in the medieval universe. The main character just seemed a little too larger than life, taking on roles that only they are capable as there was certainly no-one else in the whole wide world who can. And the plot itself ...  bordering on fantasy fiction.

I would probably suggest this is more suited to young adult fiction or for someone with no idea of the historical times in which this is set. I actually hesitated in picking this up for review.  I wished I had let it pass by. Disappointing debut.

Review: Mrs Hudson & The Capricorn Incident by Martin Davies

Synopsis: It is spring in Baker Street, and London is preparing itself for the wedding of the season - an international spectacular in which the young and popular Duke of Krasnow, a political exile from his native land, is due to take the hand of the beautiful and accomplished Princess of Rovenia - a union that will heal the divisions between her family and the duke's. But the stakes are high.

When the princess disappears in dramatic circumstances, other members of the British establishment are quick to call on Mr Sherlock Holmes and he, in turn, looks to his redoubtable housekeeper Mrs Hudson, and housemaid Flotsam, to assist in this puzzling case.

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What if Baker Street’s most gifted resident wasn’t called Sherlock Holmes?

This is the premise for a mystery series based around Sherlock Holmes' housekeeper / landlady, Mrs Hudson, as the primary investigator. This particular tome is number seven in the series, which I wasn't fully cognisant of at the time of reading, so my comments are based solely on this tome.

Not a fan - Mrs Hudson was not to my mind, central to the storyline at all, it more based around the housemaid, Flotsam, who is also our narrator. Maybe I should I read the first books, as I was certainly not invested in this one.

For those who are interested, the  books in the series are:

• Mrs Hudson & the Spirits’ Curse
• Mrs Hudson and the Malabar Rose
• Mrs Hudson and the Lazarus Testament
• Mrs Hudson and the Samarkand Conspiracy
• Mrs Hudson and the Blue Daisy Affair
• Mrs Hudson and The Christmas Canary

Review: Tudor Executions by Helene Harrison

Synopsis: The Tudors as a dynasty executed many people, both high and low. But the nobility were the ones consistently involved in treason, either deliberately or unconsciously. Exploring the long sixteenth century under each of the Tudor monarchs gives a sense of how and why so many were executed for what was considered the worst possible crime and how the definition of treason changed over the period.

This book examines how and why Tudor nobles like Edward Stafford, 3rd Duke of Buckingham; Queen Consort Anne Boleyn; Henry Howard, Earl of Surrey; and Robert Devereux, 2nd Earl of Essex, fell into the trap of treason and ended up on the block under the executioner’s axe. Treason and the Tudor nobility seem to go hand in hand as, by the end of the sixteenth century and the advent of the Stuart dynasty, no dukes remained in England. How did this happen and why?

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Rather good insight into the Tudor paranoia over the usurpation ..... I mean succession. And as the reader continues on their grisly journey, they will discover how closely related to each other were both monarch and executed noble, as well as noble to noble.

Harrison begins with Edward Plantagenet, Earl of Warwick (ex. 1499) and completed her list with Robert Devereaux, Earl of Essex (ex. 1601) - spanning the reigns of Henry VII to Elizabeth I. All those "victims" contained within the pages of this tome are already known - so no new surprises. 

The narrative is not cumbersome, the research is obvious without being overbearing, the tome is easily readable, and dare I say it, entertaining.

One definitely for the Tudor history buffs!

Review: The Lady Vanishes by Ethel Lina White

Synopsis: First published as The Wheel Spins in 1936 and adapted for the screen by Alfred Hitchcock in 1938, Ethel Lina White’s The Lady Vanishes established the author as one of the greatest crime writers of the Golden Age.

After a summer holiday in a remote corner of Europe, the glamorous socialite Iris Carr is looking forward to returning to the comforts of home. But having stayed on at the resort after her friends’ departure, Iris now faces the journey home alone. On the train to Trieste, she is pleased to meet a kindly governess, Miss Froy, and strikes up a conversation. Iris warms to her companion, and is alarmed when she wakes from a sleep to find that Miss Froy has suddenly disappeared from the train without a trace. Worse still, she is horrified to discover that none of the other passengers on the train will admit to having ever seen such a woman.

Doubting her sanity and fearing for her life, Iris is determined to find Miss Froy before the train journey is over. Only one of her fellow passengers seems to believe her story. With his help, Iris begins to search the train for clues to the mystery of the vanished lady at the center of this ingenious classic thriller.

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If you pick up this tome and have watched Hitchcock's film, you will no doubt find yourself making comparisons. This tome is a slow build with a plot line slightly different to the one Hitchcock presents. The tension builds in the almost claustrophobia atmosphere of the train, as Iris - in her quest to find Miss Froy - realises that all are against her and she herself is in danger.

Like most tomes of the period, there is usually a secondary narrative or social commentary or political propaganda. Many early 20th century books embraced modernist techniques, such as stream-of-consciousness narration, nonlinear storytelling, and fragmented narratives; and focused on character to unravel the intricate web of an individual's thoughts and feelings .

This is no exception. It is a comment on the English abroad, on the behaviour and selfishness of the young group, and the outward snobbery of Iris' travelling companions. Even Iris comes under scrutiny: " ...... she was spoiled since birth; it was natural for her to be selfish ... ".

Still, read it for the enjoyment of this being a classic mystery.

Review: Broadway Butterfly by Anthony M DeStefano

Synopsis: The definitive book on one of the most notorious murders in Jazz Age New York history, that of Vivian Gordon, the high-end escort, con artist, and blackmailer connected to gangsters like “Legs” Diamond and Arnold Rothstein, whose death exposed the dark underbelly of police corruption throughout the city—from the Pulitzer Prize and Emmy Award-winning investigative journalist who is one of the foremost Mafia experts writing today. 

Like so many other pretty butterflies, Indiana-born Vivian Gordon fluttered to New York in 1920 looking for fame and fortune. Before long, the flame-haired chorus girl parlayed her youth, beauty, and ambition into more profitable means as a tough and glamorous symbol of Prohibition-era excess. She was a speakeasy owner, blackmailer, high-end escort, extortionist, racketeer, and con woman. But given her dangerously intimate associations—from ruthless underworld gangsters to corrupt high-ranking city officials—Vivian was also a woman who knew too much and who rightfully feared for her life. On February 26, 1931, Vivian’s bludgeoned and garroted body was found dumped in Van Cortland Park in the Bronx. 

Now, in the first in-depth biography of its kind, Pulitzer Prize and Emmy Award-winning journalist Anthony M. DeStefano unravels her tumultuous life and the headline-making murder that became an obsession for many, including then-Governor Franklin Delano Roosevelt. The evidence Vivian left behind was a diary with more than three-hundred names implicating powerful officials, philanthropists, businessmen, and every major gangland figure in collusion and corruption. The investigation eventually resulted in the career-ending investigation of James “Jimmy” Walker, disgraced mayor of New York City. Ultimately, Broadway Butterfly finally finds a place in history for Vivian, a woman with a rare legacy in gangster lore, whose demise was as tragically inevitable as the brutality of the city’s demimonde during Prohibition.

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More of a case of the author providing a central figure around which to delve into the history of the period rather than the other way around. Jazz Age New York is the star and Vivian Gordon is the understudy.

However, it is a highly compelling look at the huge amount of graft and corruption taking place in all levels of government, as well as an insight into some of the legendary characters of the period - gangsters, cops, politician and madams. The reader will not be failed to be entertained.

Nice wrap up at the end with a chapter dedicated to what happened to those key players mentioned in the book.

Review: Women & Warfare In The Ancient World by Karlene Jones-Bley

Synopsis: Explores mythological, legendary, archaeological, and historical evidence of women in a military setting.

Women and Warfare in the Ancient World presents a broad view of women and female figures involved in war in the ancient world, incorporating mythological, legendary, archaeological, and historical evidence for women in a military setting. Within this context are found not only fighters but also strategists, trainers, and leaders who may not have been on the actual battlefield. Exploring women and war within the Indo-European and Near Eastern worlds, this title seeks to challenge the view that women do not fight and that war is completely a male occupation – a view expressed as early as Xenophon and as late as the end of the 20th century.

Karlene Jones-Bley begins her study by defining Virgins, Viragos, and Amazons, going on to explore war goddesses, legendary, and historical women giving insights into different cultures, their attitudes towards women and how these have developed over time. Recent archaeological evidence supports her conclusions that women have always been a part of warfare.

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Whilst extensively researched, the first part of the book is mainly on the earliest aspects of women and war which tend to be more mythological and refer to goddesses or legendary women. Having said that, the use of mythological references sets the cultural stage for an acceptance of the role of women in warfare, showing that ancient cultures were "... quite adept at envisioning women as warriors ..." - I would hesitate to say,even more so than in our own modern times.

Jones-Bley then discusses archaeological evidence and a more modern re-assessment of both ancient graves and grave goods, before launching into the historical sphere from the classical ancient world to the late 15th century. Jones-Bley concludes that whilst "... power was a factor in women's fighting, women, in general, have more often fought in defence ..." - usually of their own rights or those of their families and children - or husbands!

Points off for repeating a very basic research errors, especially those dealing with Eleanor of Aquitaine on Crusade (unfortunately, this author is not alone in this as I have found this same error repeated in other tomes - a little due diligence next time rather than repeating the same old tropes).

Review: Shakespeare: The Man Who Pays the Rent by Judi Dench & Brendan O'Hea

Synopsis: Discover the work of the greatest writer in the English language as you've never encountered it before by ordering internationally renowned actor Dame Judi Dench's SHAKESPEARE: The Man Who Pays The Rent—a witty, insightful journey through the plays and tales of our beloved Shakespeare.

Taking a curtain call with a live snake in her wig...

Cavorting naked through the Warwickshire countryside painted green...

Acting opposite a child with a pumpkin on his head...

These are just a few of the things Dame Judi Dench has done in the name of Shakespeare.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare's most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now.

Instructive and witty, provocative and inspiring, this is ultimately Judi's love letter to Shakespeare, or rather, The Man Who Pays The Rent.

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Brendan O'Hea interviews Dame Judi Dench who reflects on her connection to the Bard through her time on stage and film, undertaking roles from Shakespeare's plays. A fun read that is not an analysis of the plays, but a noted actor's reflections, documented in a series of interviews conducted over a period of four years.

For lovers of the Bard and fans of Judi!